Isaac Meeting Rebekah–Esau Selling His Birthright, from "Dalziels' Bible Gallery" by Thomas Dalziel

Isaac Meeting Rebekah–Esau Selling His Birthright, from "Dalziels' Bible Gallery"

Thomas Dalziel · 1865

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“Two pivotal biblical narratives, Isaac meeting Rebekah and Esau selling his birthright, are brought together in this single, intricately detailed wood engraving. Notice the stark differences in setting and emotion between the two scenes.”

ABOUT THIS WORK

This wood engraving presents two dramatic biblical narratives, side by side, within a single frame. On the left, a veiled Rebekah, riding a camel, meets Isaac for the first time in a desert landscape. Her posture suggests surprise and modesty as she dismounts. To the right, a more intimate domestic scene unfolds: Esau, weary from hunting, sells his birthright to his younger brother Jacob for a bowl of lentil stew. The contrast in settings—one vast and open, the other confined to a tent—highlights the different stakes of each encounter. The intricate lines and deep shadows, characteristic of wood engraving, lend a solemn gravity to these pivotal moments from the Book of Genesis. Produced for "Dalziels' Bible Gallery," a significant Victorian publication, this image reflects a widespread interest in illustrating biblical stories with detailed, emotive realism.

DETAILS
Artist
Thomas Dalziel
Date
1865
Medium
Wood engraving on India paper, mounted on thin card
Location
The Metropolitan Museum of Art
Dimensions
Image: 4 5/16 × 6 13/16 in. (10.9 × 17.3 cm) Image: 3 1/2 × 5 7/8 in. (8.9 × 15 cm) India sheet: 11 1/8 × 8 1/4 in. (28.3 × 21 cm) Mount: 16 3/8 in. × 12 15/16 in. (41.6 × 32.9 cm)
Collection
Drawings and Prints
Credit line
Anonymous Gift, 1926
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What to Notice

Five details hide in plain sight. Here’s where to look.

Isaac Meeting Rebekah–Esau Selling His Birthright, from "Dalziels' Bible Gallery"
01

Rebekah's veil and modest posture as she dismounts her camel.

02

The empty quiver and bow slung over Esau's shoulder, signaling his exhaustion.

03

Jacob's focused gaze as he offers the bowl of stew to his brother.

04

The detailed patterns on the tent fabric in the Esau scene.

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