“Stop and look at this intense wood engraving, which vividly depicts the biblical plagues of blood and boils. Notice the dramatic contrast and detailed figures, showcasing the power of this printmaking technique.”
This dramatic wood engraving plunges us into the biblical narrative of the Plagues of Egypt, specifically the water turning to blood and the affliction of boils. The scene is dense with figures, their bodies contorted in agony and despair. Look at the powerful contrast between the dark, swirling water and the stark, pale flesh of the suffering people. The artist, Thomas Dalziel, uses the medium of wood engraving to its full potential, creating deep shadows and intricate details through precise lines and cuts. This work was part of a larger project, "Dalziels' Bible Gallery," which aimed to illustrate biblical stories with a new intensity and realism for the Victorian public. The small scale of the print belies the monumental feeling of divine wrath and human suffering it conveys, inviting a close inspection of its finely wrought details.
- Artist
- Thomas Dalziel
- Date
- 1865
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 3 7/16 × 6 15/16 in. (8.8 × 17.6 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

The dark, textured surface of the blood-red water.
The pained expressions and twisted bodies of the afflicted figures.
The detailed rendering of the figures' hair and drapery.
The subtle variations in light and shadow created by the engraving lines.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Water Turned Into Blood–The Boils and Blanes, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Dalziel
Isaac Meeting Rebekah–Esau Selling His Birthright, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
Jacob and the Flocks of Laban–Jacob's Departure from Laban, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Departure of the Israelites–Destruction of Pharoah and His Host, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
More works to explore
Beyond Dalziel: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
