“This print offers a close-up, almost scientific, view of two fish, rendered with exquisite detail and subtle color. It's a beautiful example of how everyday subjects were elevated in Japanese woodblock printing.”
Two fish, a kasago and an isaki, appear as if suspended against a pale background, their forms rendered with remarkable detail. The kasago, a rockfish, is shown with its distinctive spiky fins and mottled skin, while the isaki (grunt fish) has a smoother, more elongated body. A small, vibrant sprig of ginger, bright red and green, adds a touch of color and a hint of culinary context, suggesting these fish are ready for preparation. This woodblock print, from the series "Every Variety of Fish," captures a moment of quiet observation, elevating the everyday subject of fresh catch into a delicate study of natural forms. The artist, Utagawa Hiroshige, created numerous bird and flower prints around this period, and this work shares that same careful attention to the textures and patterns found in nature.
- Artist
- Utagawa Hiroshige
- Date
- 1830
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 10 1/4 x 14 7/8 in. (26 x 37.8 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle gradation of color (bokashi) on the fish bodies.
The delicate, almost translucent quality of the fins.
The sharp, prickly texture of the kasago's dorsal fin.
The vibrant red and green details of the ginger sprig.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 魚づくし かさご いさきに生姜|Isaki and Kasago Fish, from the series Uozukushi (Every Variety of Fish) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
