[Hungerford Suspension Bridge] by William Henry Fox Talbot

[Hungerford Suspension Bridge]

William Henry Fox Talbot · 1843

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“Stop to see one of the earliest photographs of London's urban development. This image captures the Hungerford Suspension Bridge mid-construction, showcasing the groundbreaking salted paper process by one of photography's inventors.”

ABOUT THIS WORK

In this early photograph, the skeletal framework of the Hungerford Suspension Bridge stretches across the Thames, still under construction. The scene captures a moment of rapid change in London, with the nascent bridge dominating the middle ground. The soft, somewhat imprecise focus, characteristic of William Henry Fox Talbot's salted paper process, lends the industrial subject an almost painterly quality, emphasizing tones and shapes over sharp detail. This image is a testament to photography's nascent ability to document the modern world, freezing a specific instant in time that would otherwise be lost. The pioneering technique involved exposing treated paper in a camera, then using that paper negative to create positive prints, a revolutionary step towards reproducible images. The muted palette and subtle gradations of light and shadow evoke the atmosphere of a bustling city undergoing transformation.

DETAILS
Artist
William Henry Fox Talbot
Date
1843
Medium
Salted paper print from paper negative
Location
The Metropolitan Museum of Art
Dimensions
16.9 x 21.3 cm (6 5/8 x 8 3/8 in. )
Collection
Photographs
Credit line
Gilman Collection, Museum Purchase, 2005
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

[Hungerford Suspension Bridge]
01

The delicate lines of the suspension cables, barely visible against the sky.

02

The scaffolding and temporary structures around the bridge towers.

03

The faint outlines of buildings on the far bank of the river.

04

The ripples and reflections on the surface of the Thames.

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THE ARTIST

William Henry Fox Talbot

1800–1877 · Kingdom of Great Britain

The man who invented the negative-positive process, making every photograph ever printed possible.

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