“Stop to appreciate this print's masterful depiction of a harsh winter night. The artist captures the raw power of nature and the small, human comforts found along a challenging journey.”
In this evocative woodblock print, a solitary traveler braves a blustery winter night in Hamamatsu, one of the fifty-three stations along the historic Tōkaidō Road. The stark, snow-covered landscape is punctuated by the warm glow emanating from a teahouse, inviting weary passersby. Notice how the artist uses the diagonal lines of the wind-swept trees and the almost horizontal snowfall to heighten the sense of a harsh, cold environment. This print captures a specific moment, not just a place, reflecting the journey's challenges and the small comforts found along the way. Despite the quiet solitude, the scene hums with the implied sound of the wind and the promise of shelter, a poignant snapshot of Edo-period travel.
- Artist
- Utagawa Hiroshige
- Date
- 1828
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 8 15/16 in. (22.7 cm); W. 6 11/16 in. (17 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the snow falls almost horizontally, suggesting strong wind.
The warm yellow light spilling from the teahouse windows onto the snow.
The bare, windswept trees bending to the left, mirroring the snow's direction.
The lone figure, hunched against the cold, approaching the illuminated building.
Stand in front of it and listen
The full narration walks you through 東海道五十三次 浜松|Hamamatsu — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Loretto Necklace
J. M. W. Turner · 1829 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
