東海道五十三次 浜松|Hamamatsu

Utagawa Hiroshige, 1828

MEDIUMWoodblock print; ink and color on paper
DIMENSIONSH. 8 15/16 in. (22.7 cm); W. 6 11/16 in. (17 cm)
LOCATIONThe Metropolitan Museum of Art

Step into a serene moment along Japan's historic Tōkaidō road with Hiroshige's "Hamamatsu," a beautiful woodblock print that captures the poetic essence of travel and landscape.

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ABOUT THIS WORK

This evocative woodblock print, "Hamamatsu," is part of Utagawa Hiroshige's renowned series, "The Fifty-three Stations of the Tōkaidō." Created around 1828, it predates his most famous iteration of the series (the Hoeido Tokaido, c. 1833/34), showcasing his early mastery of landscape. Hiroshige, considered the last great master of ukiyo-e, revolutionized the genre by shifting its focus from urban pleasure scenes to the natural world and travel. His poetic and ambient approach, distinct from Hokusai's bolder style, is evident here in the subtle use of color and atmospheric depth. The Tōkaidō road was the main artery connecting Edo (modern Tokyo) and Kyoto, and Hiroshige's prints captured the essence of each stop, offering viewers a vicarious journey through diverse Japanese landscapes. This work exemplifies his innovative use of perspective and his ability to convey a specific mood, which would later profoundly influence Western artists like Van Gogh and Monet during the Japonism movement.

ART MOVEMENTS
Ukiyo-e
LOOK CLOSER

What to Notice

1

The subtle gradations of color (bokashi) in the sky

2

The tranquil atmosphere of the rural scene

3

The travelers on the road, suggesting a journey

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Audio Deep Dive

Step into a serene moment along Japan's historic Tōkaidō road with Hiroshige's "Hamamatsu," a beautiful woodblock print that captures the poetic essence of tra…

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THE ARTIST
Utagawa Hiroshige 1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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