“This print from the Tōkaidō series vividly captures a humorous, everyday scene of travelers being cajoled into a teahouse, bringing the bustling life of 19th-century Japan to your eyes.”
In this dynamic woodblock print, two women on foot are caught in the act of trying to avoid being pulled into a teahouse. They are part of a larger group of travelers on the historic Tōkaidō Road, a bustling artery that connected Edo (modern Tokyo) with Kyoto. The scene at Goyu station captures a moment of playful resistance, as the women, likely weary from their journey, are gently but firmly urged by teahouse touts to stop for refreshment. The vivid colors and detailed figures bring this everyday encounter to life, offering a glimpse into the social interactions and commercial energy of 19th-century Japan. The sense of movement, from the women's strained postures to the touts' outstretched arms, creates a lively narrative.
- Artist
- Utagawa Hiroshige
- Date
- 1828
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 8 7/8 in. (22.5 cm); W. 6 1/2 in. (16.5 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the determined expressions on the faces of the two women.
Notice the touts' colorful kimonos and their energetic gestures.
See the intricate details of the teahouse architecture in the background.
Look at the varied postures of the other travelers on the road.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 東海道五十三次 御油|Goyu — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Loretto Necklace
J. M. W. Turner · 1829 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
