The toddler's gaze
The small child in lavender sits at the center of the boat, with the two women close on either side. She looks out toward the water, and she is the calm center of the group.

“Stop and observe the delicate lines of this drypoint print, capturing a tender moment of a child feeding ducks. It offers a glimpse into the quiet, everyday intimacies often depicted in late 19th-century art.”
In this charming drypoint print, a young girl, perhaps a governess or an older sister, kneels by a pond, her attention absorbed by the ducks she is feeding. Her companion, a small child, stands close by, gazing intently at the water. The scene is rendered with a delicate touch, characteristic of the drypoint technique, where a needle directly incises lines into a copper plate, creating a slightly burred edge that holds more ink and results in a soft, velvety line. This particular impression is the first of three states, meaning it was pulled early in the printing process, before further modifications were made to the plate. The intimate interaction between the figures and their natural surroundings captures a fleeting moment of childhood innocence and quiet domesticity, a frequent theme in art of the late 19th century.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The small child in lavender sits at the center of the boat, with the two women close on either side. She looks out toward the water, and she is the calm center of the group.
The woman in orange stretches one hand out toward the water on the left. That reach links the people in the boat to the ducks below.
The dark-haired woman bends over the child, and her curved back echoes the boat's rim. Her lean pulls us into the family group.
White dots on the navy skirt sit beside the leaf-like shapes on the pink dress. The flat, decorative patterning is often compared to Japanese prints, which Cassatt admired.
Among the white ducks, one brown mallard with a green head stands out. It is the darkest spot on the left of the water.
The full narration walks you through Feeding the Ducks — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Mary Cassatt, an American painter and printmaker, captured the intimate world of women and children with remarkable tenderness, often exhibiting with the Impressionists in France.
Nurse and Child
1896 · The Metropolitan Museum of Art
After the Bullfight
1873 · Art Institute of Chicago
On a Balcony
1879 · Art Institute of Chicago
The Child's Bath
1893 · Art Institute of Chicago
Maternal Caress
1896 · Philadelphia Museum of Art
In the Opera Box (No. 3)
1875 · The Metropolitan Museum of Art
Afternoon Tea Party
1890 · The Metropolitan Museum of Art
The Map
1890 · The Metropolitan Museum of Art
Young Spartan Girls Challenging Boys
Degas · 1860 · Art Institute of Chicago
Alfred Sisley
Renoir · 1864 · Foundation E.G. Bührle Collection
Sea View, Calm Weather (Vue de mer, temps calme)
Manet · 1864 · Art Institute of Chicago
The Banks of the Marne in Winter
Pissarro · 1866 · Art Institute of Chicago
Beyond Cassatt and Impressionism: works from the same years, and from the other movements Feeding the Ducks belongs to.
Same movement · Tonalism
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Mr. Loulou (Louis Le Ray)
Paul Gauguin · 1890 · Barnes Foundation
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
The Streetwalker
Henri de Toulouse-Lautrec · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago