DETAILS
- Artist
- Gustave Courbet
- Date
- 1835
- Medium
- Black and white chalk over graphite on papier bleuté, relined.
- Location
- The Metropolitan Museum of Art
- Dimensions
- 13 7/8 × 11 1/2 in. (35.2 × 29.2 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
ART MOVEMENTS
AUDIO DEEP DIVE
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THE ARTIST
Gustave Courbet
1819–1877 · FranceGustave Courbet, the defiant leader of the Realism movement, painted only what he could see, rejecting academic norms and Romanticism.
MORE FROM THIS ARTIST
Further Works by Courbet
1 / 2
Portrait of a Woman, Called Héloïse Abélard
1850 · The Metropolitan Museum of Art
Spring Flowers
1855 · The Metropolitan Museum of Art
Monsieur Suisse
1861 · The Metropolitan Museum of Art
Wooded Landscape
1848 · Art Institute of Chicago
Mère Grégoire
1855 · Art Institute of Chicago
The Brook of Les Puits-Noir
1855 · Art Institute of Chicago
Woman in a Riding Habit (L'Amazone)
1856 · Metropolitan Museum of Art
Rêverie (Portrait of Gabrielle Borreau)
1862 · Art Institute of Chicago
EXPLORE THE MOVEMENT
More from Realism
KEEP EXPLORING
More works to explore
Beyond Courbet and Realism: works from the same years, and from the other movements Self-Portrait with Upraised Arm belongs to.
Same movement · Naturalism
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1820s–1850s
Disaster at Sea
J. M. W. Turner · 1835 · National Gallery
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art



