“This powerful "face jug" was created around 1860 by an unknown artist, likely an enslaved potter in the American South. Its expressive features and small size hint at a ritual purpose, making it a moving object tied to the history of the Underground Railroad.”
This small stoneware jug, with its deeply carved eyes and gaping mouth, immediately captures attention. It is a striking example of a "face jug," a distinctive type of pottery made in the American South, particularly in the Edgefield District of South Carolina. Around 1858, enslaved people from the Kongo region of central Africa, some of whom were skilled potters, began creating both functional pottery and these more expressive vessels. While small for everyday use, these jugs are thought to have held ritual or religious significance. The rough, alkaline glaze adds to the jug's raw, powerful presence. Its presence along routes of the Underground Railroad suggests it was a cherished object, carried by those seeking freedom.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1860
- Medium
- Stoneware and alkaline glaze
- Location
- Art Institute of Chicago
- Dimensions
- H.: 13.3 cm (5 1/4 in.)
- Collection
- Arts of the Americas
- Culture
- Edgefield county
- Credit line
- Juli and David Grainger Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The deeply incised eyes, almost bulging from the surface.
The wide, open mouth, revealing ceramic teeth.
The textured, greenish-brown alkaline glaze.
The small, loop handle on the back of the head.
1 more detail is waiting.
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Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
