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The Angelus by Jean-François Millet

The Angelus

Jean-François Millet · 1825

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DETAILS
Artist
Jean-François Millet
Date
1825
Medium
Etching
Location
The Metropolitan Museum of Art
Collection
Drawings and Prints
Credit line
Gift of Mrs. Louis Lowinson, 1937
ART MOVEMENTS
Barbizon schoolNaturalismRealism
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THE ARTIST

Jean-François Millet

1814–1875 · France

Jean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.

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MORE FROM THIS ARTIST

Further Works by Millet

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Young Woman Young Woman 1844 · Art Institute of Chicago Woman Feeding Chickens Woman Feeding Chickens 1850 · Art Institute of Chicago The Sheepshearers The Sheepshearers 1857 · Art Institute of Chicago Peasants Bringing Home a Calf Born in the Fields Peasants Bringing Home a Calf Born in the Fields 1864 · Art Institute of Chicago In the Auvergne In the Auvergne 1866 · Art Institute of Chicago The Little Shepherdess The Little Shepherdess 1870 · Art Institute of Chicago The Wool Carder The Wool Carder 1855 · The Metropolitan Museum of Art The Diggers The Diggers 1855 · Cleveland Museum of Art
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More from Realism

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Wooded Landscape Wooded Landscape Courbet · 1848 · Art Institute of Chicago The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!' The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!' Rockwell · 1914 · Norman Rockwell Museum La rendición de Granada La rendición de Granada Ortiz · 1882 · Palace of the Senate
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More works to explore

Beyond Millet and Realism: works from the same years, and from the other movements The Angelus belongs to.

The Estuary Farm Same movement · Barbizon school The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago The Cobbler’s Home Same era · 1810s–1840s The Cobbler’s Home J. M. W. Turner · 1825 · National Gallery Portrait of a Woman, Called Héloïse Abélard Same movement · Naturalism Portrait of a Woman, Called Héloïse Abélard Gustave Courbet · 1850 · The Metropolitan Museum of Art The Combat of the Giaour and Hassan Same era · 1810s–1840s The Combat of the Giaour and Hassan Eugène Delacroix · 1826 · Art Institute of Chicago Souvenir of Tuscany Same movement · Naturalism Souvenir of Tuscany Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago The Fortune Teller (La Bonne Aventure) Same era · 1810s–1840s The Fortune Teller (La Bonne Aventure) Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 Same movement · Naturalism C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 Honoré Daumier · 1856 · The Metropolitan Museum of Art Amédée-David, the Comte de Pastoret Same era · 1810s–1840s Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
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