“Stop to appreciate the direct gaze and thoughtful expression of Ekim Lazarev in this 1822 portrait. It offers a glimpse into the Romantic fascination with individual character, painted by an artist who overcame great personal hardship.”
In this striking portrait, Ekim Lazarev gazes directly out at us, his expression thoughtful and composed. Painted in 1822, this work captures a moment of quiet dignity, characteristic of the Romantic era's interest in individual character. The artist, Vasily Andreevich Tropinin, spent much of his life as a serf, gaining his freedom only a year after this painting was completed. This personal history of overcoming adversity often imbued his portraits with a particular empathy and depth, evident here in Lazarev's calm demeanor and the subtle rendering of his features. The soft play of light across his face and the rich, dark tones of his clothing emphasize his presence, making him feel both accessible and profound.
- Artist
- Vasily Andreevich Tropinin
- Date
- 1822
- Medium
- Oil on canvas
- Location
- National Gallery of Armenia
What to Notice
Four details hide in plain sight. Here’s where to look.

The direct, steady gaze of Ekim Lazarev.
The subtle modeling of his cheekbones and jawline.
The soft light illuminating his face from the left.
The texture of his dark coat and cravat.
Stand in front of it and listen
The full narration walks you through Ekim Lazarev — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vasily Andreevich Tropinin
1776–1857 · Russian EmpireA serf who secretly studied art and went on to paint over 3,000 portraits — including Russia's greatest poet.
Further Works by Tropinin
The woman cutting nails
1847 · National Gallery of Armenia
Boy with an axe
1810 · Belarusian National Arts Museum
The Peasant Boy with a Hatchet
1810 · Ekaterinburg Museum of Fine Arts
Portrait of A. V. Tropinin
1818 · Tretyakov Gallery
Portrait of Artemy Lazarev (1791-1813), the Poruchik of the Life Guards Hussars Regiment
1819 · Hermitage Museum
Portrait of an Ukrainian peasant.
1820 · National Museum in Warsaw
Lady from Podolia
1821 · Kursk State Art Gallery
Porträt des Nicholas Majkov
1821 · Russian Museum
More works to explore
Beyond Tropinin: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Indian Army Officer
William Havell · 1822 · Reading Museum
