“This lithograph offers a hushed, intimate glimpse into the private moments of Parisian nightlife, capturing the subtle drama between two figures in a dimly lit room.”
In "Debauchery (second plate)," a woman in a low-cut dress, her back to us, sits at a table in what appears to be a private room, her head tilted slightly as if listening. The scene is bathed in the warm, artificial glow of gaslight, a common feature of Parisian nightlife in the late 19th century. Her companion, a man in a top hat, leans in close, his face obscured by shadow and angle, creating an air of intimacy and hushed conversation. This color lithograph captures a moment of quiet intrigue, a glimpse into the hidden corners of the city's bohemian life that fascinated many artists of the period. The muted tones and soft focus on the figures suggest a fleeting, observed moment rather than a posed portrait, drawing the viewer into the hushed atmosphere of the establishment.
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1896
- Medium
- Color lithograph on cream wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 24 × 32.4 cm (9 1/2 × 12 13/16 in.); Sheet: 28.2 × 38.2 cm (11 1/8 × 15 1/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Anonymous Gift
What to Notice
Four details hide in plain sight. Here’s where to look.

The woman's elaborate hairstyle and the ribbon in her hair.
The man's top hat, almost blending into the dark background.
The faint pattern on the wallpaper behind the figures.
The delicate shading that gives depth to the woman's dress.
Stand in front of it and listen
The full narration walks you through Debauchery (second plate) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri de Toulouse-Lautrec
1864–1901 · FranceHenri de Toulouse-Lautrec, the aristocratic artist of fin-de-siècle Paris, immortalized the vibrant, often scandalous, life of Montmartre's cabarets and brothels.
Further Works by de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando)
1887 · Art Institute of Chicago
Moulin de la Galette
1889 · Art Institute of Chicago
At the Moulin Rouge
1892 · Art Institute of Chicago
Albert (René) Grenier (1858–1925)
1887 · The Metropolitan Museum of Art
Woman in the Garden of Monsieur Forest
1889 · The Metropolitan Museum of Art
The Streetwalker
1890 · The Metropolitan Museum of Art
Henri-Gabriel Ibels (1867–1936)
1892 · The Metropolitan Museum of Art
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
1892 · The Metropolitan Museum of Art
More from Post-Impressionism
More works to explore
Beyond de Toulouse-Lautrec and Post-Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
No te aha oe riri (Why Are You Angry?)
Paul Gauguin · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Branch of the Seine near Giverny (Mist)
Claude Monet · 1897 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same era · 1880s–1910s
Woman Mending
Camille Pissarro · 1895 · Art Institute of Chicago




