“This painting vividly depicts David's triumphant return after slaying Goliath, using dramatic light and shadow to highlight the raw emotion and celebration of the Israelite women.”
In this dramatic painting, Hendrick ter Brugghen captures the moment David, still a youth, returns victorious after slaying Goliath. The scene unfolds with a striking use of light and shadow, a technique known as tenebrism, which pulls our attention to the figures closest to the foreground. David stands center, holding the giant's enormous head, his expression a mix of solemnity and quiet triumph. He is flanked by Israelite women who celebrate his heroism with music and song. The artist renders their faces with a directness that makes them feel present, their emotions palpable. This work exemplifies the Utrecht Caravaggisti's fascination with dramatic narrative and the raw humanity of religious and historical subjects, bringing a powerful sense of realism to a biblical story.
- Artist
- Hendrick ter Brugghen
- Date
- 1623
- Medium
- Oil on canvas
- Location
- North Carolina Museum of Art
What to Notice
Five details hide in plain sight. Here’s where to look.

David's youthful face contrasted with Goliath's severed head.
The musical instruments played by the celebrating women.
The strong diagonal light illuminating the central figures.
The woman on the right, her mouth open in song.
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Hendrick ter Brugghen
1588–1629 · Dutch RepublicHendrick ter Brugghen brought Caravaggio's dramatic light and emotional realism from Italy to the Dutch Republic, profoundly shaping Dutch Golden Age painting.
Further Works by ter Brugghen
The Calling of Saint Matthew
1609 · Museum of Fine Arts, Budapest
Pilate washing his hands
1617 · National Museum in Lublin
Roman Charity
1622 · The Metropolitan Museum of Art
Saint Jerome
1624 · Museum Boijmans Van Beuningen
Boy with a wineglass
1623 · North Carolina Museum of Art
A Boy Playing the Lute ("Hearing", One of a Series of the Five Senses)
1620 · Nationalmuseum
A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)
1620 · Nationalmuseum
Boy Playing a Fife
1620 · Gemäldegalerie Alte Meister
More works to explore
Beyond ter Brugghen: works from the same years.
Same era · 1600s–1630s
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
Peter Paul Rubens · 1625 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Musical Company
Rembrandt · 1626 · Museum De Lakenhal
Same era · 1600s–1630s
Petrus Scriverius (1576–1660)
Frans Hals · 1626 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1600s–1630s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1600s–1630s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1600s–1630s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1600s–1630s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1600s–1630s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1600s–1630s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1600s–1630s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
