“This painting draws you in with its dramatic lighting and the boy's direct, engaging gaze. It’s a vivid example of how artists brought everyday life to the canvas with striking realism and emotional depth.”
A young man with rosy cheeks and a mischievous grin holds up a wineglass, gazing directly at us with an inviting expression. The light, a hallmark of Utrecht Caravaggism, dramatically illuminates his face and the glass, casting the background into deep shadow. This stark contrast, known as tenebrism, draws our attention to his lively features and the shimmering liquid. His loose, almost rumpled clothing and the casual tilt of his head suggest an informal moment, perhaps a toast offered to an unseen companion. The scene feels immediate and engaging, as if we've stumbled upon a private celebration. Painted in 1623, this work captures a sense of spontaneous human interaction, a departure from more formal portraiture of the period.
- Artist
- Hendrick ter Brugghen
- Date
- 1623
- Medium
- Oil on canvas
- Location
- North Carolina Museum of Art
What to Notice
Four details hide in plain sight. Here’s where to look.

The way light catches the rim of the wineglass, making it sparkle.
The boy's slightly parted lips and the hint of a smile in his eyes.
The texture of his hair, appearing soft and tousled.
The deep shadows that frame his brightly lit face and arm.
Stand in front of it and listen
The full narration walks you through Boy with a wineglass — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Hendrick ter Brugghen
1588–1629 · Dutch RepublicHendrick ter Brugghen brought Caravaggio's dramatic light and emotional realism from Italy to the Dutch Republic, profoundly shaping Dutch Golden Age painting.
Further Works by ter Brugghen
The Calling of Saint Matthew
1609 · Museum of Fine Arts, Budapest
Pilate washing his hands
1617 · National Museum in Lublin
Roman Charity
1622 · The Metropolitan Museum of Art
Saint Jerome
1624 · Museum Boijmans Van Beuningen
David Saluted by the Israelite Women
1623 · North Carolina Museum of Art
A Boy Playing the Lute ("Hearing", One of a Series of the Five Senses)
1620 · Nationalmuseum
A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)
1620 · Nationalmuseum
Boy Playing a Fife
1620 · Gemäldegalerie Alte Meister
More works to explore
Beyond ter Brugghen: works from the same years.
Same era · 1600s–1630s
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
Peter Paul Rubens · 1625 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Musical Company
Rembrandt · 1626 · Museum De Lakenhal
Same era · 1600s–1630s
Petrus Scriverius (1576–1660)
Frans Hals · 1626 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1600s–1630s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1600s–1630s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1600s–1630s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1600s–1630s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1600s–1630s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1600s–1630s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1600s–1630s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
