“Stop to admire this exquisite embroidered coverlet fragment, a testament to the luxurious textiles and refined tastes of 18th-century France. Its vibrant floral design and intricate stitching offer a window into Rococo elegance.”
This fragment of a coverlet from 1755 offers a glimpse into the luxurious textiles of 18th-century France. The rich, embroidered satin and silk speak to a time when fabric was a significant marker of status and wealth. Here, a vibrant floral motif, possibly a rose or peony, takes center stage, rendered with remarkable three-dimensionality through the intricate stitching. The design, with its naturalistic yet stylized forms, reflects the Rococo aesthetic, which favored organic shapes and delicate ornamentation over the more rigid designs of earlier periods. One can almost imagine this piece gracing a grand bed in a Parisian salon, its soft sheen catching the candlelight. Philippe de la Salle, active in Lyon, was a prominent textile designer of the era, known for his innovative approach to silk weaving and embroidery.
- Artist
- Philippe de la Salle
- Date
- 1755
- Medium
- embroidered satin and silk
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the raised texture of the embroidered flower petals.
Notice the subtle sheen of the satin fabric beneath the embroidery.
Look for the delicate shading within the leaves, creating depth.
Identify the tight, precise stitches that form the flower's center.
Stand in front of it and listen
The full narration walks you through Coverlet Fragment — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Philippe de la Salle
1723–1804 · FrancePhilippe de la Salle was a master of 18th-century Lyon silk weaving, known for luxurious textiles like his 'Branche de Corail'.
Further Works by de la Salle
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
1765 · The Metropolitan Museum of Art
Chair back
1765 · The Metropolitan Museum of Art
Two Pieces of Embroidery
1723 · Cleveland Museum of Art
Upholstery for a Chair Seat
1738 · Cleveland Museum of Art
Coverlet
1755 · Cleveland Museum of Art
Coverlet and Fragments
1755 · Cleveland Museum of Art
Silk Fragment
1770 · Cleveland Museum of Art
Silk Fragment, Part of Panel called "Le panier fleuri"
1770 · Cleveland Museum of Art
More works to explore
Beyond de la Salle: works from the same years.
Same era · 1740s–1770s
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Same era · 1740s–1770s
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Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1740s–1770s
Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752)
John Theodore Heins · 1754 · Norfolk Museums Collections
Same era · 1740s–1770s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1740s–1770s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
Stefano Mulinari · 1756 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1740s–1770s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
Same era · 1740s–1770s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1740s–1770s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection
