Coverlet and its scraps
The intact coverlet sits above, with cut pieces of the same design laid out below, so you can compare the whole pattern with its parts.

“Stop to admire this exquisite 18th-century French coverlet, a masterpiece of silk embroidery that brings a vibrant garden to life on fabric. Its intricate details and rich textures offer a glimpse into the luxurious world of aristocratic interiors.”
This coverlet and its accompanying fragments, dating from the mid-18th century, present a lush garden of embroidered flowers and foliage, a testament to the era's passion for natural motifs in textile design. The vibrant silk threads, meticulously stitched onto satin, create a three-dimensional effect, making the blossoms appear almost to spring from the fabric. Notice the interplay of light and shadow achieved through varying stitch directions and thread density, giving each petal and leaf a lifelike quality. This piece was likely intended for a bed or perhaps a grand display, its rich surface a luxurious statement of wealth and taste in a French aristocratic interior. Philippe de la Salle, a designer known for his innovative textile patterns, created this opulent design, which would have been a prized possession.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The intact coverlet sits above, with cut pieces of the same design laid out below, so you can compare the whole pattern with its parts.
Look at the pale center of the coverlet, where a soft cluster of flowers sits on shimmering satin. Garlands curve around it like a frame.
Swags of leaves and blossoms sweep from the corners toward the middle, shaping a lozenge that leads your eye inward.
In the upper left cut panel, a bundle of flowers and feathery leaves hangs from a pink ribbon. It is a delicate detail that is hard to find in the large coverlet.
At the bottom, small strips and scraps still hold bits of rose-colored blossoms and leaves, remnants of the same floral design.
The full narration walks you through Coverlet and Fragments — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Philippe de la Salle was a master of 18th-century Lyon silk weaving, known for luxurious textiles like his 'Branche de Corail'.
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
1765 · The Metropolitan Museum of Art
Chair back
1765 · The Metropolitan Museum of Art
Two Pieces of Embroidery
1723 · Cleveland Museum of Art
Upholstery for a Chair Seat
1738 · Cleveland Museum of Art
Coverlet
1755 · Cleveland Museum of Art
Coverlet Fragment
1755 · Cleveland Museum of Art
Silk Fragment
1770 · Cleveland Museum of Art
Silk Fragment, Part of Panel called "Le panier fleuri"
1770 · Cleveland Museum of Art
Beyond de la Salle: works from the same years.
Same era · 1740s–1770s
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1740s–1770s
Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752)
John Theodore Heins · 1754 · Norfolk Museums Collections
Same era · 1740s–1770s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1740s–1770s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
Stefano Mulinari · 1756 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1740s–1770s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
Same era · 1740s–1770s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1740s–1770s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection