“Stop and admire this luxurious chair upholstery from 18th-century France. Its shimmering silk and intricate design offer a glimpse into the exquisite craftsmanship and refined tastes of the period.”
This elegant textile, an upholstery for a chair seat, showcases the intricate artistry of 18th-century French weaving. Its design features a central medallion with a gracefully draped urn, flanked by scrolling acanthus leaves and delicate floral sprays. The lustrous silk threads, woven in a lampas technique, create a rich visual texture that would have shimmered in the candlelight of a grand salon. While the artwork's listed year of 1738 appears too early for Philippe de la Salle, who would have been only 15, the style aligns with his later work, suggesting a dating closer to the mid-18th century, perhaps around 1743–1774 as suggested by the museum. This piece speaks to the opulence and refined taste of the era, where even functional objects like chair coverings were transformed into works of art, reflecting the status and aesthetic sensibilities of their owners.
- Artist
- Philippe de la Salle
- Date
- 1738
- Medium
- lampas weave, brocaded; silk
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Textiles
- Culture
- France
- Credit line
- Purchase from the J. H. Wade Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The central medallion with its classical urn and flowing drapery.
The way light plays across the silk threads, creating subtle shifts in tone.
The delicate floral sprigs that emerge from the scrolling acanthus leaves.
The balanced symmetry of the overall design, typical of the Rococo period.
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Philippe de la Salle
1723–1804 · FrancePhilippe de la Salle was a master of 18th-century Lyon silk weaving, known for luxurious textiles like his 'Branche de Corail'.
Further Works by de la Salle
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
1765 · The Metropolitan Museum of Art
Chair back
1765 · The Metropolitan Museum of Art
Two Pieces of Embroidery
1723 · Cleveland Museum of Art
Coverlet
1755 · Cleveland Museum of Art
Coverlet and Fragments
1755 · Cleveland Museum of Art
Coverlet Fragment
1755 · Cleveland Museum of Art
Silk Fragment
1770 · Cleveland Museum of Art
Silk Fragment, Part of Panel called "Le panier fleuri"
1770 · Cleveland Museum of Art
More works to explore
Beyond de la Salle: works from the same years.
Same era · 1720s–1750s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1720s–1750s
Thomas Guy Counting His Money
John Theodore Heins · 1737 · Norfolk Museums Collections
Same era · 1720s–1750s
Holy family
Adriaen van der Werff · 1725 · Alte Pinakothek
Same era · 1720s–1750s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1720s–1750s
Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3)
William Hogarth · 1725 · The Metropolitan Museum of Art
Same era · 1720s–1750s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1720s–1750s
Residences Memorables de l'Incomporable Heros de Nôtre Siècle, ou Edifices et Jardins de Son Altesse Serenissime Monsigneur Le Prince Eugene François de Savoye et de Piedmont
Salomon Kleiner · 1731 · The Metropolitan Museum of Art
Same era · 1720s–1750s
Saint Jerome in Penitence
Stefano Mulinari · 1750 · The Metropolitan Museum of Art
