DETAILS
- Artist
- Jean-François Millet
- Date
- 1847
- Location
- National Gallery of Canada
ART MOVEMENTS
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Oedipus Taken Down from the Tree — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Jean-François Millet
1814–1875 · FranceJean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.
MORE FROM THIS ARTIST
Further Works by Millet
1 / 2
Young Woman
1844 · Art Institute of Chicago
Woman Feeding Chickens
1850 · Art Institute of Chicago
The Sheepshearers
1857 · Art Institute of Chicago
Peasants Bringing Home a Calf Born in the Fields
1864 · Art Institute of Chicago
In the Auvergne
1866 · Art Institute of Chicago
The Little Shepherdess
1870 · Art Institute of Chicago
The Diggers
1855 · Cleveland Museum of Art
The Wool Carder
1855 · The Metropolitan Museum of Art
EXPLORE THE MOVEMENT
More from Realism
KEEP EXPLORING
More works to explore
Beyond Millet and Realism: works from the same years, and from the other movements Oedipus Taken Down from the Tree belongs to.
Same movement · Barbizon school
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Naturalism
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Spring Flowers
Gustave Courbet · 1855 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art



