Isaac Broome, 1877
Stop and admire this intricate porcelain bracket, where a mischievous cherub clings beneath a reclining figure. Its delicate colors and classical design offer a glimpse into Victorian decorative arts.
This decorative bracket, made from colored Parian porcelain, features a dramatic, almost theatrical scene. A winged cherub, with a quiver of arrows slung across his back, clings precariously to the underside of the bracket, his gaze directed upwards. Above him, a larger, more mature figure, possibly a nymph or goddess, reclines amidst swirling drapery and foliage, seemingly oblivious to the cherub's presence. The figures are rendered with a soft, almost painterly quality, enhanced by the subtle tints of the porcelain, which give the piece a delicate, ethereal glow. This work, created in 1877, reflects the Victorian era's fascination with classical mythology and allegorical figures, often reinterpreted with a romantic or sentimental flair for domestic adornment. The intricate modeling showcases the capabilities of Parian porcelain, a popular material for its resemblance to marble.
The cherub's tiny, feathered wings and the quiver of arrows on his back.
The delicate pink and blue tints in the porcelain, especially in the drapery.
The way the cherub's fingers grip the bracket's edge.
Stop and admire this intricate porcelain bracket, where a mischievous cherub clings beneath a reclining figure. Its delicate colors and classical design offer…
Canadian-born sculptor who shaped America's Centennial with patriotic porcelain busts and decorative reliefs.
Read Isaac's full story in Art Whisper