“Stop to admire this elegant bust of Cleopatra, rendered in Parian porcelain, a material that gives her skin a luminous quality. Notice the powerful expression and the intricate details of her royal headdress.”
This bust captures Cleopatra, the last pharaoh of Egypt, with a striking intensity. Her gaze is direct and powerful, framed by an elaborate hairstyle that includes a cobra diadem, a symbol of royalty and divine authority. The choice of Parian porcelain, a fine, unglazed bisque ceramic that mimics the look of marble, gives her skin a luminous, almost ethereal quality. This material was popular in the late 19th and early 20th centuries for its ability to render delicate details and its smooth, matte finish. The sculptor, Isaac Broome, created this work in 1914, well into his later career, demonstrating a continued interest in classical subjects and the expressive potential of porcelain. The bust invites us to consider the enduring fascination with Cleopatra, a figure often depicted as both a formidable ruler and a captivating beauty.
- Artist
- Isaac Broome
- Date
- 1914
- Medium
- Parian
- Location
- The Metropolitan Museum of Art
- Dimensions
- 26 × 18 × 14 in. (66 × 45.7 × 35.6 cm)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Gift of Jay and Emma Lewis, 2018
What to Notice
Four details hide in plain sight. Here’s where to look.

The cobra diadem on Cleopatra's head, signifying her royal status.
The intricate details of her braided hair, pulled back from her face.
The smooth, matte finish of the Parian porcelain, mimicking marble.
Cleopatra's direct and commanding gaze.
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Isaac Broome
1836–1922 · United StatesCanadian-born sculptor who shaped America's Centennial with patriotic porcelain busts and decorative reliefs.
Further Works by Broome
Pastoral Vase
1871 · The Metropolitan Museum of Art
Broadside
1873 · The Metropolitan Museum of Art
George Washington
1873 · The Metropolitan Museum of Art
Catcher
1875 · The Metropolitan Museum of Art
Bust of Benjamin Franklin
1876 · The Metropolitan Museum of Art
Covered Sugar Bowl
1876 · The Metropolitan Museum of Art
Bracket
1877 · The Metropolitan Museum of Art
Tile
1884 · The Metropolitan Museum of Art
More works to explore
Beyond Broome: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Street Scene (Friedrichstraße Berlin)
Ernst Ludwig Kirchner · 1914 · Staatsgalerie Stuttgart
Same era · 1890s–1920s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1890s–1920s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Laurette with a Cup of Coffee
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
