“Stop to see a powerful glimpse into early 20th-century industrial Britain, where towering 'bottle' kilns churned out pottery, shaping both the landscape and local lives.”
This stark photograph, titled "Bottle" Kilns in the potteries, Stoke-on-Trent, captures a landscape transformed by industry. Dominating the frame are the distinctive bottle-shaped kilns, their forms silhouetted against a muted sky, belching smoke that hints at the continuous firing within. The image conveys a sense of the immense scale and relentless activity of the pottery industry in Stoke-on-Trent, a major center for ceramic production in England. The photograph's composition emphasizes the repetitive, almost alien presence of these structures, which were once a common sight but are now largely gone. The artist, Phyllis Seltzer, created this work in 1932, a time when industrial photography was gaining traction as a way to document changing landscapes and working lives. The gelatin silver print medium lends a timeless, almost monumental quality to this scene of early 20th-century industrial might.
- Artist
- Phyllis Seltzer
- Date
- 1932
- Medium
- Gelatin silver print
- Location
- Art Institute of Chicago
- Dimensions
- Image: 23 × 19.7 cm (9 1/16 × 7 13/16 in.); Paper: 25.3 × 20.4 cm (10 × 8 1/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The distinctive, towering shapes of the bottle kilns.
The plumes of smoke rising from the kiln tops.
The intricate brickwork visible on the kiln structures.
The way the kilns dominate the horizon line.
1 more detail is waiting.
See all 5 in Art Whisper →Phyllis Seltzer
1928 · United StatesPhyllis Seltzer turned city skylines and fire into bold prints, working across woodcut, lithography, and heat transfer well into her 70s.
Further Works by Seltzer
More works to explore
Beyond Seltzer: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum

