“Stop to see an early, dramatic work by Keith Haring, created in shimmering silver on black. This etching reveals a haunting figure caught in an intense moment, a striking precursor to his more famous, graphic style.”
A stark, almost spectral image emerges from the dark expanse of this etching. In "Arson's Dream II," a ghostly figure, rendered in shimmering silver, appears caught in a moment of intense, almost theatrical, distress. Its elongated form and exaggerated gestures suggest a silent scream or a desperate plea, while the deep black background emphasizes its isolation. The artist, Keith Haring, created this work in 1973, years before his iconic subway drawings, during a period when he was exploring diverse printmaking techniques. The use of softground, drypoint, and mezzotint here allows for a rich interplay of textures, from the velvety darkness to the luminous, almost metallic sheen of the figure. This early piece reveals a dramatic intensity and a focus on the human form that would evolve into the more simplified, dynamic figures of his later career, offering a glimpse into the foundational elements of his visual language.
- Artist
- Keith Haring
- Date
- 1973
- Medium
- Etching, softground, drypoint and mezzotint printed in silver on black wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 96.3 × 65.7 cm (37 15/16 × 25 7/8 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the silver ink seems to glow against the black paper.
The figure's elongated limbs and distorted, anguished expression.
The subtle textures created by the etching techniques in the dark background.
The intense contrast between light and shadow, highlighting the figure's drama.
Keith Haring
1958–1989 · United StatesKeith Haring transformed New York City subway chalk drawings into a globally recognized visual language, addressing urgent social issues with his iconic Radiant Baby and dancing figures.
Further Works by Haring
More from Postmodernism
More works to explore
Beyond Haring and Postmodernism: works from the same years, and from the other movements Arson's Dream II belongs to.
Same movement · Contemporary Art
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1950s–1980s
Four Mona Lisas
Andy Warhol · 1978 · Art Institute of Chicago
Same era · 1950s–1980s
La grande bellezza
Pierre Alechinsky · 1965
Same era · 1950s–1980s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same era · 1950s–1980s
Impregnazione
Piero Manzoni · 1958
Same era · 1950s–1980s
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1950s–1980s
Captain Joseph Medill Patterson
Ivan Puni · 1962 · Art Institute of Chicago
Same era · 1950s–1980s
Corpse and Mirror II
Jasper Johns · 1974 · Art Institute of Chicago
Same era · 1950s–1980s
Untitled (Brown and Gray)
Mark Rothko · 1969 · The Metropolitan Museum of Art
Same era · 1950s–1980s
Nude under a Pine Tree
Pablo Picasso · 1959 · Art Institute of Chicago
Same era · 1950s–1980s
The Banquet
René Magritte · 1958 · Art Institute of Chicago
Same era · 1950s–1980s
Gonzalez and Shadow
Félix González-Torres · 1972 · Art Institute of Chicago
Same era · 1950s–1980s
Olive Picking
Reuven Rubin · 1967 · Rubin Museum





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