“Stop to admire this detailed woodblock print of fresh prawns and a horse mackerel. It's a rare glimpse into Hiroshige's early focus on natural subjects, rendered with striking simplicity and meticulous attention to texture.”
A pair of plump, fresh kuruma-ebi (prawns) and a single aji (horse mackerel) are arranged with a sprig of tade (water pepper) on a plain background in this woodblock print. The composition is strikingly simple, allowing the viewer to appreciate the texture and form of each element. The prawns, curled naturally, show delicate gradations of orange and red, suggesting their succulence, while the mackerel's silvery scales are subtly rendered. Hiroshige created this print as part of a series called "Every Variety of Fish," showcasing his skill in capturing the essence of natural subjects. This work reflects a period in his career (around 1829–1830) when he began to focus more on landscapes and detailed studies of flora and fauna, moving beyond the traditional ukiyo-e subjects of actors and beauties. The print's intimate scale and focus on everyday natural elements offer a quiet moment of observation, a departure from the grander landscape series for which he would later become widely known.
- Artist
- Utagawa Hiroshige
- Date
- 1830
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 10 1/8 x 14 1/2 in. (25.7 x 36.9 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate antennae and segmented bodies of the kuruma-ebi.
The subtle sheen and texture of the aji fish's scales.
The sharp, serrated leaves of the tade plant.
The way the prawns' bodies curl naturally, as if just caught.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 魚づくし 車海老 鯵にたで|Aji Fish and Kuruma-ebi, from the series Uozukushi (Every Variety of Fish) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
