魚づくし 車海老 鯵にたで|Aji Fish and Kuruma-ebi, from the series Uozukushi (Every Variety of Fish) by Utagawa Hiroshige

魚づくし 車海老 鯵にたで|Aji Fish and Kuruma-ebi, from the series Uozukushi (Every Variety of Fish)

Utagawa Hiroshige · 1830

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“Stop to admire this detailed woodblock print of fresh prawns and a horse mackerel. It's a rare glimpse into Hiroshige's early focus on natural subjects, rendered with striking simplicity and meticulous attention to texture.”

ABOUT THIS WORK

A pair of plump, fresh kuruma-ebi (prawns) and a single aji (horse mackerel) are arranged with a sprig of tade (water pepper) on a plain background in this woodblock print. The composition is strikingly simple, allowing the viewer to appreciate the texture and form of each element. The prawns, curled naturally, show delicate gradations of orange and red, suggesting their succulence, while the mackerel's silvery scales are subtly rendered. Hiroshige created this print as part of a series called "Every Variety of Fish," showcasing his skill in capturing the essence of natural subjects. This work reflects a period in his career (around 1829–1830) when he began to focus more on landscapes and detailed studies of flora and fauna, moving beyond the traditional ukiyo-e subjects of actors and beauties. The print's intimate scale and focus on everyday natural elements offer a quiet moment of observation, a departure from the grander landscape series for which he would later become widely known.

DETAILS
Artist
Utagawa Hiroshige
Date
1830
Medium
Woodblock print; ink and color on paper
Location
The Metropolitan Museum of Art
Dimensions
10 1/8 x 14 1/2 in. (25.7 x 36.9 cm)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

魚づくし 車海老 鯵にたで|Aji Fish and Kuruma-ebi, from the series Uozukushi (Every Variety of Fish)
01

The delicate antennae and segmented bodies of the kuruma-ebi.

02

The subtle sheen and texture of the aji fish's scales.

03

The sharp, serrated leaves of the tade plant.

04

The way the prawns' bodies curl naturally, as if just caught.

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THE ARTIST

Utagawa Hiroshige

1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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