“Pause to admire this exquisite woodblock print of a black-naped oriole, a testament to the beauty of Japanese bird-and-flower art. The vivid colors and detailed rendering invite a closer look at nature's elegance.”
A vibrant black-naped oriole perches delicately on a stem of rose mallow in this striking woodblock print. The bird's bright yellow plumage contrasts beautifully with its distinctive black head, a detail that gives the species its name. The artist has captured a moment of quiet observation, focusing on the natural world rather than the urban scenes often depicted in ukiyo-e. The slender composition, a vertical format, emphasizes the height of the mallow stem and the bird's elegant posture, drawing the viewer's eye upwards. This work, created around 1834, showcases a refined use of color and line, characteristic of the period's bird-and-flower prints.
- Artist
- Utagawa Hiroshige
- Date
- 1824
- Medium
- Woodblock print
- Location
- The Metropolitan Museum of Art
- Dimensions
- 14 11/16 x 4 15/16 in. (37.3 x 12.5 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle gradation of color (bokashi) on the rose mallow petals.
The intricate details of the bird's feathers, particularly on its wings.
The delicate curve of the rose mallow stem supporting the bird.
The small, almost hidden signature of the artist on the left side.
Stand in front of it and listen
The full narration walks you through 歌川広重画 扶養に高麗鶯|A Black-Naped Oriole on a Stem of Rose Mallow — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Cobbler’s Home
J. M. W. Turner · 1825 · National Gallery
Same era · 1800s–1830s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
George Grote
Thomas Stewardson · 1824 · National Portrait Gallery
