DETAILS
- Artist
- Jean Baptiste Camille Corot
- Date
- 1840
- Location
- Art Institute of Chicago
ART MOVEMENTS
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Monte Pincio, Rome — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Jean Baptiste Camille Corot
Jean-Baptiste-Camille Corot, a pivotal French landscape painter, masterfully bridged Neo-Classicism with the emerging plein-air innovations of Impressionism.
MORE FROM THIS ARTIST
Further Works by Corot
EXPLORE THE MOVEMENT
More from Naturalism
KEEP EXPLORING
More works to explore
Beyond Corot and Naturalism: works from the same years, and from the other movements Monte Pincio, Rome belongs to.
Same movement · Barbizon school
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Barbizon school
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
Figures at an Arcadian Fountain (Fountain of Egeria)
William Havell · 1840 · Reading Museum





