“This isn't just an image; it's a 16th-century design blueprint from a Venetian pattern book, showing the intricate woodcut patterns used as templates for lacemaking and embroidery, reflecting the era's appreciation for meticulous textile artistry.”
This woodcut page, from Matteo Pagano's "Trionfo Di Virtu. Libro Novo..." published in Venice in 1563, presents a complex, symmetrical design intended for lacemaking or embroidery. Look closely at the intricate network of lines, which form a repeating pattern of stylized floral motifs and geometric shapes. The central design features a large, ornate quatrefoil, framed by smaller, swirling tendrils and leaves. This isn't a picture to be hung on a wall; it's a practical guide, a template for skilled hands to transform into delicate fabric. The stark contrast of black lines on the white page emphasizes the precision required, reflecting the meticulous craft of needlework that was highly valued in Renaissance Italy. These pattern books were essential tools, allowing artisans to recreate fashionable designs and spread new styles across Europe.
- Artist
- Matteo Pagano
- Date
- 1563
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1937
What to Notice
Four details hide in plain sight. Here’s where to look.

The central quatrefoil, a four-lobed shape, is the focal point.
Observe the tiny dots and dashes used to create texture within the design.
Notice the repeating floral motifs that fan out from the center.
The symmetry of the pattern, perfect for a repeating textile design.
Stand in front of it and listen
The full narration walks you through Trionfo Di Virtu. Libro Novo..., page 28 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matteo Pagano
Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.
Further Works by Pagano
Spechio di pensieri delle belle et Virtudiose donne, page 14 (recto)
1546 · The Metropolitan Museum of Art
Ornamento delle belle & virtuose donne, page 6 (recto)
1554 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 11 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 13 (verso)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 15 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 16 (verso)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 25 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 29 (verso)
1563 · The Metropolitan Museum of Art
More works to explore
Beyond Pagano: works from the same years.
Same era · 1540s–1570s
Penitent Magdalene
Titian · 1575
Same era · 1540s–1570s
The Assumption of the Virgin
El Greco · 1577 · Art Institute of Chicago
Same era · 1540s–1570s
The Tower of Babel
Pieter Bruegel the Elder · 1563
Same era · 1540s–1570s
The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob
Workshop of Jan van Tieghem · 1560 · Art Institute of Chicago
Same era · 1540s–1570s
Virgin and Child in a Church, also known as the Van Maelbeke Virgin
Wierix · 1575 · The Metropolitan Museum of Art
Same era · 1540s–1570s
Close Helmet with Falling Buffe
Pompeo della Cesa · 1565 · The Metropolitan Museum of Art
Same era · 1540s–1570s
Winter Landscape with Snowfall near Antwerp
Lucas van Valckenborch · 1575 · Städel Museum
Same era · 1540s–1570s
Virgin and Child with the infant Saint John the Baptist
Matteo Florimi · 1576 · The Metropolitan Museum of Art
