Trionfo Di Virtu. Libro Novo..., page 28 (recto) by Matteo Pagano

Trionfo Di Virtu. Libro Novo..., page 28 (recto)

Matteo Pagano · 1563

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“This isn't just an image; it's a 16th-century design blueprint from a Venetian pattern book, showing the intricate woodcut patterns used as templates for lacemaking and embroidery, reflecting the era's appreciation for meticulous textile artistry.”

ABOUT THIS WORK

This woodcut page, from Matteo Pagano's "Trionfo Di Virtu. Libro Novo..." published in Venice in 1563, presents a complex, symmetrical design intended for lacemaking or embroidery. Look closely at the intricate network of lines, which form a repeating pattern of stylized floral motifs and geometric shapes. The central design features a large, ornate quatrefoil, framed by smaller, swirling tendrils and leaves. This isn't a picture to be hung on a wall; it's a practical guide, a template for skilled hands to transform into delicate fabric. The stark contrast of black lines on the white page emphasizes the precision required, reflecting the meticulous craft of needlework that was highly valued in Renaissance Italy. These pattern books were essential tools, allowing artisans to recreate fashionable designs and spread new styles across Europe.

DETAILS
Artist
Matteo Pagano
Date
1563
Medium
Woodcut
Location
The Metropolitan Museum of Art
Dimensions
Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1937
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Trionfo Di Virtu. Libro Novo..., page 28 (recto)
01

The central quatrefoil, a four-lobed shape, is the focal point.

02

Observe the tiny dots and dashes used to create texture within the design.

03

Notice the repeating floral motifs that fan out from the center.

04

The symmetry of the pattern, perfect for a repeating textile design.

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THE ARTIST

Matteo Pagano

Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.

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