“Stop to see this early painting by Tony Oursler, where two expressive figures emerge from a swirl of paint, hinting at the artist's lifelong fascination with faces and perception.”
In this large painting, two figures emerge from a swirling, almost abstract background of blues, grays, and whites. The figure on the left, rendered with a raw, almost childlike directness, features large, expressive eyes that seem to gaze directly out at the viewer. On the right, a second, more indistinct form appears, its features less defined, blending into the energetic brushwork that surrounds it. The canvas itself, a substantial size at over ten feet wide, emphasizes the dramatic scale of these painted presences. The artist, Tony Oursler, created this work in 1969, a period when he would have been a young teenager, which might account for the uninhibited quality of the brushstrokes and the direct emotional appeal of the faces. This early painting suggests an intense engagement with portraiture and the expressive potential of paint, a precursor to his later explorations of identity and perception through multimedia.
- Artist
- Tony Oursler
- Date
- 1969
- Medium
- Oil on linen
- Location
- Art Institute of Chicago
- Dimensions
- 182.9 × 307.8 cm (72 × 120 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The intense, wide-eyed stare of the left figure.
The vigorous, almost chaotic brushwork in the background.
The way the right figure seems to dissolve into the paint.
The large scale of the canvas, making the figures feel monumental.
Tony Oursler
1957 · United StatesTony Oursler is a multimedia artist who transforms video projection into expressive faces on dolls, objects, and even buildings, creating captivating, often unsettling, narratives.
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