“Pause to appreciate this small, tranquil watercolor of the Tagus River. Its soft light and delicate details offer a serene escape, showcasing the subtle beauty of landscape painting.”
This delicate watercolor offers a serene glimpse of the Tagus River, likely near Lisbon, Portugal. The soft light of what appears to be late afternoon or early morning bathes the scene, highlighting the gentle undulations of the hills and the calm expanse of water. A few small boats dot the river, suggesting everyday life unfolding in this picturesque setting. William Havell, a founding member of the Society of Painters in Watercolours, created this image, demonstrating the medium's capacity for capturing subtle atmospheric effects. The muted palette and fluid brushwork evoke a sense of tranquility, inviting contemplation of the distant shore and the vastness of the sky. It's a quiet moment, beautifully observed, that transports the viewer to a specific place and time.
- Artist
- William Havell
- Date
- 1788
- Medium
- Watercolor on cream wove card, laid down on cream mat board
- Location
- Art Institute of Chicago
- Dimensions
- 13.5 × 20.5 cm (5 3/8 × 8 1/8 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle washes of color that create the illusion of distance in the hills.
The tiny figures in the boats, barely visible but adding human scale.
The way the light catches the ripples on the water's surface.
The delicate outlines of the buildings on the far bank.
William Havell
1782–1857 · Kingdom of Great BritainWilliam Havell, a founding member of the Society of Painters in Watercolours, captured the dramatic landscapes of Wales and the Lake District before embarking on a global journey.
Further Works by Havell
Cilgerran Castle
1805 · National Museum Cardiff
Yachts of the Cumberland Society Racing on the Thames, circa 1815
1815 · Royal Museums Greenwich
Woodcutters at Park Place, Henley, the River Thames Beyond
1821 · The Metropolitan Museum of Art
Indian Army Officer
1822 · Reading Museum
Lieutenant Colonel William Lambton (1756–1823)
1822 · Royal Asiatic Society of Great Britain and Ireland
Licenza, near Rome: Horace's Villa
1828 · The Metropolitan Museum of Art
Temple of Paestum, Italy
1830 · Reading Museum
Tivoli, Italy
1830 · Reading Museum
More works to explore
Beyond Havell: works from the same years.
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1770s–1800s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1770s–1800s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1770s–1800s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
