“Step back to 1841 with this expansive watercolor, capturing New York's vibrant harbor from Brooklyn. It's a rare glimpse of the city's early growth, seen through a meticulous hand.”
This watercolor offers a sweeping vista of New York's bay and harbor, captured from the elevated perspective of Gowanus Heights in Brooklyn. In 1841, New York was rapidly expanding, and this view encapsulates that transformation, showing a bustling waterway dotted with sailing vessels and early steamships. The artist meticulously renders the distant Manhattan skyline, a nascent urban landscape emerging from the horizon. The delicate application of watercolor and graphite allows for both the broad atmospheric effects of the sky and the precise detailing of individual ships and buildings. The composition draws the eye across the wide expanse of water, inviting contemplation of a city on the cusp of becoming a global metropolis.
- Artist
- William Henry Bartlett
- Date
- 1841
- Medium
- Watercolor and graphite on white wove paper
- Location
- The Metropolitan Museum of Art
- Collection
- The American Wing
- Culture
- American
- Credit line
- The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954
What to Notice
Five details hide in plain sight. Here’s where to look.

The numerous sailing ships and early steamships in the harbor.
The distant, low-lying Manhattan skyline on the far horizon.
The subtle variations in the watercolor wash depicting the sky and water.
The elevated vantage point from Gowanus Heights, Brooklyn.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through View of the Bay and Harbor of New York, from Gowanus Heights, Brooklyn — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Henry Bartlett
1809–1854 · United Kingdom of Great Britain and IrelandBartlett sketched four continents into steel engravings so popular they shaped how Victorians imagined the world.
Further Works by Bartlett
More works to explore
Beyond Bartlett: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago

