New York from Greenwood Cemetery by William Henry Bartlett

New York from Greenwood Cemetery

William Henry Bartlett · 1809

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“This watercolor offers a rare early view of New York City from Greenwood Cemetery, capturing the burgeoning metropolis as a distant silhouette against a serene, natural landscape. It's a fascinating glimpse into a moment when the city was rapidly expanding, seen from a place designed for quiet contemplation.”

ABOUT THIS WORK

In this delicate watercolor, a sweeping panorama of New York City unfolds from the verdant, rolling hills of Greenwood Cemetery. The city, still largely defined by its lower Manhattan skyline, appears as a distant silhouette against a soft, atmospheric sky, emphasizing its rapid growth and the picturesque views available from Brooklyn. The scene captures a sense of both the natural beauty of the cemetery grounds and the burgeoning urban landscape across the water. It’s a quiet moment, inviting contemplation on the city's future and its connection to the tranquil resting place in the foreground. This work, created in 1809, reflects a common artistic interest of the period in documenting America's expanding cities and landscapes.

DETAILS
Artist
William Henry Bartlett
Date
1809
Medium
Watercolor and graphite on buff-colored wove paper
Location
The Metropolitan Museum of Art
Dimensions
5 3/8 x 8 7/16 in. (13.7 x 21.4 cm)
Collection
The American Wing
Culture
American
Credit line
The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

New York from Greenwood Cemetery
01

The tiny sailing ships navigating the harbor, hinting at maritime commerce.

02

The distant spires and rooftops of Manhattan, a nascent urban sprawl.

03

The carefully rendered trees and pathways of Greenwood Cemetery in the foreground.

04

The soft, hazy quality of the light, characteristic of watercolor.

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THE ARTIST

William Henry Bartlett

1809–1854 · United Kingdom of Great Britain and Ireland

Bartlett sketched four continents into steel engravings so popular they shaped how Victorians imagined the world.

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