“Step into a riotous 18th-century scene, where a bear-baiting turned brawl satirizes the political and religious absurdities of its time. This detailed engraving captures the chaotic energy and biting humor of a classic English poem.”
This chaotic scene plunges us into the misadventures of Samuel Butler's mock-heroic poem, "Hudibras." We see the Puritan knight, Sir Hudibras, and his squire, Ralpho, caught in the throes of a village riot. Hogarth fills the frame with a swirling mass of figures, each engaged in some form of comical violence or protest. A bear, muzzled and chained, is a central player, surrounded by barking dogs and a jeering crowd. This isn't just a depiction of a story; it's a social commentary, a boisterous satire on the political and religious divisions of 17th-century England, brought vividly to life through the artist's keen eye for human folly. The dense composition and energetic lines capture the tumultuous spirit of the era, making us feel the uproar.
- Artist
- William Hogarth
- Date
- 1725
- Medium
- Etching and engraving; second state of five
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm) (trimmed within platemark)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1932
What to Notice
Five details hide in plain sight. Here’s where to look.

The bear, muzzled and on a chain, being baited by dogs.
Sir Hudibras, on horseback, with a sword raised, looking rather bewildered.
Ralpho, the squire, holding a staff, trying to control the situation.
A woman in the foreground, wielding a broomstick with surprising force.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Hogarth
More works to explore
Beyond Hogarth: works from the same years.
Same era · 1710s–1740s
Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)
John Theodore Heins · 1729 · Corpus Christi College
Same era · 1710s–1740s
Venus and Cupid
Adriaen van der Werff · 1716 · Czartoryski Museum
Same era · 1710s–1740s
Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn..
Salomon Kleiner · 1725 · The Metropolitan Museum of Art
Same era · 1710s–1740s
Two Pieces of Embroidery
Philippe de la Salle · 1723 · Cleveland Museum of Art


