The Three Skulls

Paul Cézanne, 1902

MEDIUMWatercolor, with graphite, on ivory wove paper
DIMENSIONS48 × 62.8 cm (18 15/16 × 24 3/4 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEOlivia Shaler Swan Memorial Collection

In "The Three Skulls," Paul Cézanne, the father of modern art, confronts mortality with his signature structural approach, using the transparency of watercolor to give these skulls a haunting presence.

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ABOUT THIS WORK

Paul Cézanne, a pivotal figure bridging Impressionism and Cubism, painted "The Three Skulls" in 1902, just a few years before his death. This watercolor, with its stark subject matter, offers a powerful glimpse into the artist's later period, a time when he was exploring themes of mortality and the fundamental structures of reality. While Cézanne is often celebrated for his vibrant still lifes of apples and landscapes like "The Bay of Marseille," this work reveals a different facet of his artistic inquiry. Unlike the lushness of his earlier still lifes, here, the skulls are rendered with a raw immediacy, using the fluid transparency of watercolor to build form and shadow. This piece aligns with his Post-Impressionist approach, breaking down forms into their essential geometric components, yet it carries a profound emotional weight. It stands in contrast to the more idyllic scenes of bathers, such as his "The Bathers" (1899-1904), showcasing the breadth of his thematic interests in his final years.

ART MOVEMENTS
Post-Impressionism
LOOK CLOSER

What to Notice

1

The subtle washes of watercolor defining form.

2

The stark, almost sculptural quality of the skulls.

3

The interplay of light and shadow on the bone.

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Audio Deep Dive

In "The Three Skulls," Paul Cézanne, the father of modern art, confronts mortality with his signature structural approach, using the transparency of watercolor…

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THE ARTIST
Paul Cézanne 1839–1906 · France

Paul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.

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