The white swan
The swan's curved neck and rounded body are drawn in thin, light lines, so it seems to glide on the water. Its pale shape is the clearest form in the scene.

“Stop and look closely at this drypoint print by Berthe Morisot. See how the artist captures a tender moment between a child and nature, using delicate lines to evoke both intimacy and spontaneity.”
In this intimate drypoint print, a young girl, Julie Manet, gazes out from the lower right, her face rendered with a soft, almost ethereal quality. She was Berthe Morisot's only child, and a frequent subject in her work. The central focus, however, is on the two birds, a swan and a duck, whose forms are captured with energetic, feathery lines. The composition feels spontaneous, almost like a sketch, yet it conveys a sense of quiet observation. Morisot, an Impressionist, often depicted domestic scenes and portraits of women and children, using quick, visible marks to capture fleeting moments. Here, the drypoint technique (where a needle incises lines directly into a metal plate, raising a burr that holds ink) lends a particular softness and richness to the printed lines, creating a delicate interplay of light and shadow.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The swan's curved neck and rounded body are drawn in thin, light lines, so it seems to glide on the water. Its pale shape is the clearest form in the scene.
Behind the swan, a darker duck with a bold head and dense wing marks sits on the water. Its heavy shading contrasts with the pale swan.
To the left of the swan, a ghostly head in profile rises out of the plate. It is so lightly drawn that it is easy to take for blank paper. The title names portraits of Julie, so this is likely one of them.
Short, dense strokes of black make the water's reflections and ripples. The scratchy drypoint line gives a soft, velvety burr where the lines pile up.
A small plate sits in a large field of blank paper, and the faint lines nearly melt into it. The empty space makes the drawing feel quiet and delicate.
The full narration walks you through Swan and Duck, with Portraits of Julie — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Berthe Morisot, a pioneering Impressionist, captured intimate domestic scenes and landscapes, often featuring women and children, with a luminous touch.
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
1870 · Metropolitan Museum of Art
Woman at Her Toilette
1877 · Art Institute of Chicago
Woman in a Garden
1882 · Art Institute of Chicago
Young Woman Knitting
1883 · Metropolitan Museum of Art
Forêt de Compiègne
1885 · Art Institute of Chicago
Young Girl with Hat
1891 · Art Institute of Chicago
Landscape (Tree-trunks near a River)
1888 · The Metropolitan Museum of Art
Duck and Reeds
1889 · The Metropolitan Museum of Art
Beyond Morisot and Impressionism: works from the same years.
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Moulin de la Galette
Henri de Toulouse-Lautrec · 1889 · Art Institute of Chicago
Same era · 1870s–1900s
The Flageolet Player on the Cliff
Paul Gauguin · 1889 · Q1117704
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston