“This drawing is a preparatory study for a key figure in *A Sunday on La Grande Jatte*, offering insight into the artist's meticulous process in developing one of art history's most iconic paintings.”
A woman sits, her back to us, holding a parasol, her head turned slightly to the right. This contemplative drawing is a study for the central figure in one of the Art Institute’s most famous paintings, A Sunday on La Grande Jatte — 1884. Here, the artist uses Conté crayon to explore the figure’s expressive contours, defining her form with soft, yet deliberate lines against the blank paper. The medium allows for subtle gradations of tone, creating a sense of volume and presence. This study focuses solely on the figure, separating her from the bustling park scene she would eventually inhabit, allowing for a deep consideration of her posture and the delicate curve of her parasol. It offers a rare glimpse into the meticulous process behind a monumental work.
- Artist
- Georges Rochegrosse
- Date
- 1884
- Medium
- Black Conté crayon on ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 48 × 31.5 cm (18 15/16 × 12 7/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Bequest of Abby Aldrich Rockefeller
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the Conté crayon creates soft shadows and highlights on her dress.
The elegant curve of the parasol, almost mirroring the line of her back.
Her hat, a simple shape that hints at the fashion of the era.
The subtle turn of her head, suggesting a moment of quiet observation.
Stand in front of it and listen
The full narration walks you through Seated Woman with a Parasol (study for La Grande Jatte) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Georges Rochegrosse
1859–1938 · FranceGeorges Rochegrosse was a French painter known for colossal historical scenes, often depicting brutal subjects, and his opulent Symbolist work like 'The Knight of Flowers.'
Further Works by Rochegrosse
A Marine
1874 · Art Institute of Chicago
Final Study for "Bathers at Asnières"
1883 · Art Institute of Chicago
Flower Girl in Holland
1887 · Art Institute of Chicago
The Annunciation
1887 · Art Institute of Chicago
Early Morning, Tarpon Springs
1892 · Art Institute of Chicago
The Home of the Heron
1893 · Art Institute of Chicago
After a Summer Shower
1894 · Art Institute of Chicago
Love of Winter
1914 · Art Institute of Chicago
More works to explore
Beyond Rochegrosse: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Blue roofs of Rouen
Paul Gauguin · 1884 · Museum collection Am Römerholz
Same era · 1860s–1890s
Bordighera
Claude Monet · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Splashing Figure (Study for "The Large Bathers")
Pierre-Auguste Renoir · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago
Same era · 1860s–1890s
Scene at Napanoch
William Hart · 1883 · The Metropolitan Museum of Art
Same era · 1860s–1890s
The Sick Child
Edvard Munch · 1885 · National Museum of Art, Architecture and Design
Same era · 1860s–1890s
Woman and Child at the Well
Camille Pissarro · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
