“Experience the raw energy of the sea in this dramatic marine painting. Its rough brushstrokes and vivid light effects bring the power of the ocean to life, capturing a moment of intense natural beauty.”
The dramatic power of the ocean unfolds across this canvas, with rough, energetic brushstrokes capturing the raw beauty of the sea. Patches of orange and white light illuminate the sky, outlining distant ships and a town on the horizon. While once believed to depict Étretat in Normandy, France, scholars now identify the scene as Porto d’Anzio, Italy. This painting was created during a trip to Europe in the early 1870s, where the artist studied landscape painting. The influence of the Barbizon School, known for its intimate approach to nature, is evident in the rendering of the rocks and the spraying seawater, a contrast to the grandiose style of the Hudson River School. Look closely at the central rock in the foreground to see how shifts in texture and shading emphasize distinctions between sun and shadow, wet and dry, and clean versus algae-covered surfaces.
- Artist
- Georges Rochegrosse
- Date
- 1874
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 76.8 × 114.9 cm (30 1/4 × 45 1/4 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Edward B. Butler Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The intense light on the central foreground rock, highlighting its texture.
The distant town and ships silhouetted against the bright horizon.
The powerful, frothy waves crashing against the rocky coast.
The interplay of orange and white light in the dramatic sky.
Stand in front of it and listen
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Georges Rochegrosse
1859–1938 · FranceGeorges Rochegrosse was a French painter known for colossal historical scenes, often depicting brutal subjects, and his opulent Symbolist work like 'The Knight of Flowers.'
Further Works by Rochegrosse
Final Study for "Bathers at Asnières"
1883 · Art Institute of Chicago
Flower Girl in Holland
1887 · Art Institute of Chicago
The Annunciation
1887 · Art Institute of Chicago
Early Morning, Tarpon Springs
1892 · Art Institute of Chicago
The Home of the Heron
1893 · Art Institute of Chicago
After a Summer Shower
1894 · Art Institute of Chicago
Love of Winter
1914 · Art Institute of Chicago
Oil Sketch for "A Sunday on La Grande Jatte — 1884"
1884 · Art Institute of Chicago
More works to explore
Beyond Rochegrosse: works from the same years.
Same era · 1850s–1880s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1850s–1880s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
An Alpine Scene
Gustave Courbet · 1874 · Art Institute of Chicago
Same era · 1850s–1880s
Boating
Édouard Manet · 1874 · Metropolitan Museum of Art
Same era · 1850s–1880s
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1850s–1880s
Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)
Edgar Degas · 1875 · Art Institute of Chicago
Same era · 1850s–1880s
The Fishermen (Fantastic Scene)
Paul Cézanne · 1875 · Metropolitan Museum of Art
Same era · 1850s–1880s
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1850s–1880s
Watering Place at Marly
Alfred Sisley · 1875 · Art Institute of Chicago
