Seated Nude Seen from Behind by Berthe Morisot

Seated Nude Seen from Behind

Berthe Morisot · 1889

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“Stop for a moment to observe this intimate drypoint print of a seated nude. Notice the delicate lines and soft shading that capture a private, almost fleeting moment, a hallmark of Impressionist printmaking.”

ABOUT THIS WORK

A woman sits with her back to us, her form softly rendered in drypoint. Her hair is pulled up, revealing the curve of her neck and shoulders, and her body is turned slightly, suggesting a moment of quiet introspection or preparation. The delicate lines and subtle shading create a sense of intimacy, capturing the figure not as an object of display but as a private presence. This print, made in 1889, exemplifies the Impressionist interest in capturing fleeting moments and personal experience, even in a traditional subject like the nude. Rather than a stark, academic study, the image feels spontaneous, as if we've stumbled upon a private scene.

DETAILS
Artist
Berthe Morisot
Date
1889
Medium
Drypoint on wove paper
Location
The Metropolitan Museum of Art
Dimensions
sheet: 14 x 10 15/16 in. (35.5 x 27.8 cm)
Collection
Drawings and Prints
Credit line
Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922
ART MOVEMENTS
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Seated Nude Seen from Behind
01

The way her hair is loosely gathered, almost like a bun.

02

The subtle curve of her spine and the softness of her shoulders.

03

The delicate cross-hatching that gives texture to her skin.

04

The way the light seems to fall gently on her upper back.

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THE ARTIST

Berthe Morisot

1841–1895 · France

Berthe Morisot, a pioneering Impressionist, captured intimate domestic scenes and landscapes, often featuring women and children, with a luminous touch.

Read Morisot’s full story
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