“This drawing offers a humorous look at art criticism in 17th-century Amsterdam, capturing a dramatic critic and an unbothered artist with lively ink lines and subtle white corrections.”
In this dynamic ink drawing, a man in a feathered cap stands at the center, gesturing dramatically towards a canvas that is barely visible on an easel. He appears to be a critic, perhaps pontificating on the artwork before him, as another figure seated at a table looks on, seemingly unfazed. The lively brown ink lines capture the scene with a sense of immediacy, a characteristic of drawings from the Dutch Golden Age. Rembrandt used white corrections to refine details and highlight certain areas, a technique that adds to the drawing's spontaneous yet considered feel. The drawing offers a glimpse into the art world of 17th-century Amsterdam, humorously portraying the often-intense interaction between artists, their work, and the opinions of their contemporaries.
- Artist
- Rembrandt
- Date
- 1644
- Medium
- Pen and brown ink corrected with white.
- Location
- The Metropolitan Museum of Art
- Dimensions
- 6 1/8 x 7 15/16 in. (15.5 x 20.1 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

The critic's exaggerated pose and feathered cap.
The barely visible canvas on the easel.
The seated figure's calm, almost indifferent expression.
The subtle white corrections used to refine details.
1 more detail is waiting.
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Rembrandt
1606–1669 · Dutch RepublicRembrandt painted ~40 self-portraits across his life, creating history's most intimate visual autobiography.
Further Works by Rembrandt
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
1626 · The Metropolitan Museum of Art
Man in a Turban
1632 · The Metropolitan Museum of Art
Herman Doomer (ca. 1595–1650)
1640 · The Metropolitan Museum of Art
Rembrandt's Son Titus (1641–1668)
1650 · The Metropolitan Museum of Art
Aristotle with a Bust of Homer
1653 · The Metropolitan Museum of Art
Old Woman Cutting Her Nails
1655 · The Metropolitan Museum of Art
Portrait of a Man
1655 · The Metropolitan Museum of Art
Portrait of a Man ("The Auctioneer")
1658 · The Metropolitan Museum of Art
More from Dutch Golden Age painting
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Beyond Rembrandt and Dutch Golden Age painting: works from the same years.
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The Wedding of Peleus and Thetis
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An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
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Portrait of Elisabeth Dorothea of Saxony-Gotha-Altenburg
Salomon Duarte · 1650 · Bavarian State Painting Collections
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Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1620s–1650s
The Denial of Saint Peter
Georges de La Tour · 1650 · Nantes Museum of Arts
Same era · 1620s–1650s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1620s–1650s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
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Tree Peonies in Full Bloom
Artist Unknown - The Mercat Cross, Aberdeen · 1644 · Art Institute of Chicago
Same era · 1620s–1650s
Abraham and Isaac
Rembrandt van Rijn · 1645 · Art Institute of Chicago
Same era · 1620s–1650s
Portrait of Edouard Molé
Robert Nanteuil · 1653 · Art Institute of Chicago


