“This dramatic wood engraving captures the biblical strongman Samson at his lowest point, blinded and forced to grind grain. It's a striking depiction of humiliation and physical struggle, rendered with intense detail and emotional weight.”
In this powerful wood engraving, Samson, blinded and enslaved, toils at a mill, a stark contrast to his legendary strength. We see him from behind, a massive, muscular figure straining against the heavy millstone. The artist has emphasized his bowed back and the tautness of his limbs, conveying both his physical burden and his inner torment. The scene is dark and claustrophobic, with the rough-hewn timbers of the mill pressing in around him. This image, created in 1865 for "Dalziels' Bible Gallery," captures the moment of Samson's deepest humiliation, before his final act of defiance. The meticulous detail of the engraving, from the texture of the wood to the folds of Samson's simple garment, draws us into this somber, pivotal moment in the biblical narrative.
- Artist
- Lord Leighton Frederic
- Date
- 1865
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 7 7/16 × 6 13/16 in. (18.9 × 17.3 cm) India sheet: 9 3/4 in. × 9 in. (24.7 × 22.8 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

Samson's powerful, yet broken, physique as he pushes the millstone.
The heavy chains around his ankles, barely visible in the dim light.
The rough texture of the wooden beams and posts of the mill.
The single, small window high above, offering a glimpse of the outside world.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Samson at the Mill, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Frederic
Moses Views the Promised Land, from "Dalziels' Bible Gallery"
1857 · The Metropolitan Museum of Art
Death of the Firstborn, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
Eliezer and Rebekah, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Spies Escape, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
More works to explore
Beyond Frederic: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
