Lord Leighton Frederic, 1865
A Victorian wood engraving depicting the biblical meeting of Eliezer and Rebekah at the well, part of an ambitious 1860s-80s series illustrating Old Testament stories.
This wood engraving is part of the ambitious "Dalziels' Bible Gallery," a Victorian-era project that brought together leading British artists to illustrate biblical narratives. Camden Press produced these prints between 1863 and 1881, employing the sophisticated technique of wood engraving on delicate India paper, which was then mounted on card for stability. The scene depicts the pivotal moment from Genesis when Abraham's servant Eliezer meets Rebekah at the well, seeking a bride for Isaac. This encounter, where Rebekah offers water to both Eliezer and his camels, fulfills the sign he had prayed for, making it a key narrative of divine providence in the Old Testament.
The Dalziels' Bible Gallery represents a high point in Victorian wood engraving, combining the period's fascination with biblical storytelling and technical printmaking excellence. Wood engraving allowed for fine detail and dramatic contrasts, making these prints accessible reproductions of religious art for middle-class Victorian homes. The use of India paper—a thin, smooth paper originally from China—was prized for capturing the subtle gradations of tone that gave these images their painterly quality. This print is one of approximately twenty scenes from the series, focusing primarily on dramatic moments from Genesis and Exodus, reflecting the Victorian emphasis on moral narrative and divine intervention in human affairs.
The fine lines and tonal gradations achieved through wood engraving on delicate India paper
The architectural details and period costume that reflect Victorian interpretations of biblical times
The compositional focus on the well, the narrative's central element
A Victorian wood engraving depicting the biblical meeting of Eliezer and Rebekah at the well, part of an ambitious 1860s-80s series illustrating Old Testament…