“This wood engraving captures the biblical story of Eliezer and Rebekah, highlighting a moment of unexpected kindness that sets a significant love story in motion. Notice the dramatic contrast between the weary traveler and the woman offering water, a testament to the power of a simple gesture.”
A young woman, Rebekah, kneels to offer water to a weary traveler, Eliezer, in this wood engraving from 1865. The scene, drawn from the Book of Genesis, captures a pivotal moment: Eliezer, Abraham’s servant, has journeyed to find a wife for Isaac, and Rebekah's unexpected kindness at the well signals her as the chosen bride. The artist, Frederic Leighton, emphasizes the human interaction with a dramatic contrast between the figures. Eliezer, his face shadowed and body slumped from travel, accepts the drink with a hand that seems both grateful and heavy. Rebekah, in turn, is depicted with a posture of humble service, her gaze downcast. The intricate details of their robes and the distant, arid landscape are rendered with the fine lines characteristic of wood engraving, a popular medium for illustrating books and magazines in the 19th century. This work originally appeared in "Dalziels' Bible Gallery," a significant publication that brought biblical narratives to a wide audience through the artistry of leading illustrators.
- Artist
- Lord Leighton Frederic
- Date
- 1865
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 6 15/16 × 5 13/16 in. (17.6 × 14.7 cm) India sheet: 9 3/16 × 7 3/4 in. (23.4 × 19.7 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

The empty water pitcher at Rebekah’s feet, suggesting her generosity.
The camels in the background, signaling Eliezer’s long journey.
Eliezer’s staff and satchel, signs of his travels.
The detailed patterns on Rebekah’s garment.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Eliezer and Rebekah, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Frederic
Moses Views the Promised Land, from "Dalziels' Bible Gallery"
1857 · The Metropolitan Museum of Art
Death of the Firstborn, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
Samson at the Mill, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Spies Escape, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
More works to explore
Beyond Frederic: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Mount Washington from the Intervale
William Hart · 1865
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
