“This powerful wood engraving captures the raw, agonizing moment of a mother's grief during the biblical plague of the firstborn, using dramatic light and shadow to heighten the emotional impact.”
In this dramatic wood engraving, a mother collapses in grief, cradling her lifeless child on her lap. The scene, taken from the biblical story of the tenth plague, shows the moment of devastation when the firstborn in every Egyptian household dies. The composition is tightly focused on the figures, their forms illuminated by a stark, almost theatrical light that emphasizes their anguish. The mother's head is thrown back, her mouth open in a silent scream, while her other children huddle around her, their small bodies expressing fear and confusion. The stark contrast of light and shadow, typical of engravings meant for mass reproduction in the 19th century, heightens the emotional intensity, drawing the viewer into this profound moment of sorrow and loss. Lord Leighton Frederic created this image as part of a series illustrating the Bible, published in "Dalziels' Bible Gallery."
- Artist
- Lord Leighton Frederic
- Date
- 1865
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 7 9/16 × 6 7/8 in. (19.2 × 17.4 cm) India sheet: 9 3/4 × 8 3/4 in. (24.7 × 22.2 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

The mother's contorted posture, conveying immense grief.
The sleeping child's limp body, emphasizing its stillness.
The wide-eyed terror of the younger children.
The stark contrast of light and shadow, typical of wood engraving.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Death of the Firstborn, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Frederic
Moses Views the Promised Land, from "Dalziels' Bible Gallery"
1857 · The Metropolitan Museum of Art
Eliezer and Rebekah, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
Samson at the Mill, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Spies Escape, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
More works to explore
Beyond Frederic: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
