“This gelatin silver print draws you in with its intimate portrayal of Phyllis Bottame, her direct gaze and soft expression creating a powerful sense of connection across time.”
A young woman, Phyllis Bottame, gazes directly out from this portrait, her expression both serene and direct. The photograph, a gelatin silver print, captures a softness in her features, particularly around her eyes and mouth, which are slightly parted. The lighting emphasizes the delicate curve of her neck and the gentle fall of her hair, creating a sense of intimacy and quiet contemplation. Her dark clothing recedes into the background, allowing her face to emerge as the central focus. The image feels candid, as if we’ve caught a fleeting moment of introspection. Made in 1930, this work reflects the evolving possibilities of photography to capture not just a likeness, but also a psychological depth in portraiture.
- Artist
- Phyllis Seltzer
- Date
- 1930
- Medium
- Gelatin silver print
- Location
- Art Institute of Chicago
- Dimensions
- Image/paper: 18 × 13.2 cm (7 1/8 × 5 1/4 in.); Mount: 35.5 × 28 cm (14 × 11 1/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle highlight on her cheekbone, just below her eye.
Her hair, parted to one side, falls softly around her face.
The way her dark clothing blends into the background, making her face pop.
The slight parting of her lips, suggesting a breath just taken or about to be.
1 more detail is waiting.
See all 5 in Art Whisper →Phyllis Seltzer
1928 · United StatesPhyllis Seltzer turned city skylines and fire into bold prints, working across woodcut, lithography, and heat transfer well into her 70s.
Further Works by Seltzer
More works to explore
Beyond Seltzer: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
And Man Created God in His Own Image
Ivan Puni · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Sunset
Paul Klee · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago

