The half-smile
Find the mouth under the thin moustache. The faint upturn gives him a warm, amused look, as if he just caught your eye.

“This small, intense portrait of Jacob de Gheyn III is not only a compelling study of character but also holds the unfortunate distinction of being one of the most frequently stolen paintings in history, a testament to its enduring appeal and portable size.”
In this intimate portrait, Jacob de Gheyn III gazes out with a direct, almost challenging expression. His face, softly illuminated, emerges from the dark background, drawing your eye to the details of his features and the subtle play of light on his skin. This small oil painting, rendered on an oak panel, was created in 1632, a year after the artist moved to Amsterdam and began to achieve considerable success as a portraitist. It was commissioned alongside a companion portrait of Maurits Huygens, with the unusual agreement that the paintings would be exchanged upon the death of either friend, eventually reuniting in de Gheyn's possession. Its modest size, just under a foot tall, has unfortunately made it a frequent target for theft, earning it the nickname "takeaway Rembrandt" due to its portability.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Find the mouth under the thin moustache. The faint upturn gives him a warm, amused look, as if he just caught your eye.
Look at his eyes, with small bright catchlights and softly creased lids. His gaze turns straight out of the panel, so he seems to notice whoever stands in front of him.
The crisp white collar is the brightest spot in the picture. Its fine vertical folds pull your eye up toward his face.
Notice how the brown curls around his head blur into the grey background. The soft, feathery edges make the hair feel alive and airy.
On the right, the black sleeve catches light in a sheen of dark blue. Tiny dots of highlight suggest a glossy, patterned fabric in the gloom.
The full narration walks you through Portrait of Jacob de Gheyn III — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Rembrandt painted ~40 self-portraits across his life, creating history's most intimate visual autobiography.
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
1626 · The Metropolitan Museum of Art
Musical Company
1626 · Museum De Lakenhal
Apostle Peter
1629 · Nationalmuseum
Head of an Old Man in a Cap
1629 · Agnes Etherington Art Centre
Minerva
1631 · Gemäldegalerie Berlin
Old Man with a Gold Chain
1631 · Art Institute of Chicago
Young Man with a Plumed Hat
1631 · Toledo Museum of Art
Bathsheba at her toilet, seen by King David
1632 · Museum of Fine Arts of Rennes
Beyond Rembrandt and Dutch Golden Age painting: works from the same years.
Same era · 1610s–1640s
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
Peter Paul Rubens · 1630 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650)
Frans Hals · 1636 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1610s–1640s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1610s–1640s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1610s–1640s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1610s–1640s
Saint Sebastian tended by Saint Irene
Georges de La Tour · 1634 · Gemäldegalerie Berlin
Same era · 1610s–1640s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1610s–1640s
Saint Jerome
Hendrick ter Brugghen · 1624 · Museum Boijmans Van Beuningen
Same era · 1610s–1640s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Floral Still Life
Jan van Kessel the Elder · 1633 · Museo del Prado
Same era · 1610s–1640s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection