“Stop to examine this detailed 1779 engraving of a French duke, capturing the refined elegance and thoughtful demeanor of the aristocracy on the eve of revolution.”
In this engraving, François VI, duc de La Rochefoucauld, a prominent figure from a powerful French noble family, gazes out with an air of quiet dignity. The artist captures him in a moment of thoughtful repose, his powdered wig framing a face that suggests both experience and intellect. The meticulous details of his attire, from the delicate lace at his cravat to the subtle textures of his coat, speak to the refined tastes of the late 18th century. This portrait, created in 1779, offers a glimpse into the aristocratic world just a decade before the French Revolution, a period of immense social and political change. The fifth state of this engraving indicates a process of refinement, where the artist has likely made adjustments to achieve the desired depth and expression, inviting us to consider the careful craft involved in creating such a lifelike image through printmaking.
- Artist
- Philippe de la Salle
- Date
- 1779
- Medium
- Engraving; fifth state
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 8 7/16 × 5 1/16 in. (21.5 × 12.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1924
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate lace detail on his cravat and sleeve cuffs.
The subtle shading that gives depth to his powdered wig.
The thoughtful expression in his eyes.
The texture of his coat, suggested through fine lines.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Portrait of François VI, duc de La Rochefoucauld — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Philippe de la Salle
1723–1804 · FrancePhilippe de la Salle was a master of 18th-century Lyon silk weaving, known for luxurious textiles like his 'Branche de Corail'.
Further Works by de la Salle
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
1765 · The Metropolitan Museum of Art
Chair back
1765 · The Metropolitan Museum of Art
Upholstery passementerie
1750 · The Metropolitan Museum of Art
Fragment of woven silk
1760 · The Metropolitan Museum of Art
Length of upholstery silk
1760 · The Metropolitan Museum of Art
Panel of upholstery silk
1765 · The Metropolitan Museum of Art
Woven silk upholstery for a chair
1765 · The Metropolitan Museum of Art
Catherine II of Russia
1766 · The Metropolitan Museum of Art
More works to explore
Beyond de la Salle: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1760s–1790s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
