“This is a rare and intimate portrait of Andrei Mikhailovich Bolotov, a prominent figure of the Russian Enlightenment, painted when he was 95 years old. It’s a compelling study of age and intellect.”
Andrei Mikhailovich Bolotov, a writer and memoirist of the Russian Enlightenment, looks directly out at us, his gaze both gentle and intelligent. Painted in 1838, the year he turned 95, this portrait captures a man of remarkable longevity and intellect. He wears a simple, dark coat, its sober tone contrasting with the subtle warmth of his complexion and the soft, almost rosy glow on his cheekbones. The artist, Vasily Tropinin, renders Bolotov's age with a sympathetic hand, showing the texture of his skin and the slight thinning of his white hair without diminishing his dignity. The setting is sparse, focusing all attention on Bolotov's presence and his quiet wisdom, a testament to a life well-lived and observed during a period of significant change in Russia.
- Artist
- Vasily Andreevich Tropinin
- Date
- 1838
- Medium
- Oil on canvas
- Location
- Tretyakov Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate lines around Bolotov’s eyes and mouth, signs of his advanced age.
The way the light catches the wisps of his white hair.
The slight flush on his cheeks, suggesting a healthy vitality.
The simple, dark coat, devoid of ornamentation.
1 more detail is waiting.
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Vasily Andreevich Tropinin
1776–1857 · Russian EmpireA serf who secretly studied art and went on to paint over 3,000 portraits — including Russia's greatest poet.
Further Works by Tropinin
Portrait of A. V. Tropinin
1818 · Tretyakov Gallery
Lace-maker
1823 · Tretyakov Gallery
Portrait of K.G.Ravich
1823 · Tretyakov Gallery
Dmitriy Petrovich Voeykov
1842 · Tretyakov Gallery
Boy with an axe
1810 · Belarusian National Arts Museum
The Peasant Boy with a Hatchet
1810 · Ekaterinburg Museum of Fine Arts
Portrait of Artemy Lazarev (1791-1813), the Poruchik of the Life Guards Hussars Regiment
1819 · Hermitage Museum
Portrait of an Ukrainian peasant.
1820 · National Museum in Warsaw
More works to explore
Beyond Tropinin: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
