“This watercolor by Paul Cézanne offers a glimpse into his late career fascination with the landscapes near Aix-en-Provence. It demonstrates his unique approach to building form and light through translucent washes and visible graphite lines, capturing the essence of the natural world with remarkable immediacy.”
This watercolor shows a pistachio tree, its branches reaching upwards, set against the rocky landscape near Château Noir, Cézanne's frequent haunt outside Aix-en-Provence. The artist often returned to this secluded area in the last decades of his life, finding inspiration in its rugged terrain and distinctive vegetation. Here, the tree's form is built up through layers of translucent wash, allowing the cream paper to glow through and define the lighter areas of the leaves and trunk. Unlike his oil paintings, this medium allows for a directness and spontaneity, capturing the fleeting light and the texture of the natural world with remarkable freshness. The graphite lines, visible beneath and within the watercolor, map out the composition, giving structure to the organic forms and hinting at the underlying geometry that fascinated him. This work, made around 1895, bridges the observations of Impressionism with a more structured, analytical approach to landscape.
- Artist
- Paul Cézanne
- Date
- 1895
- Medium
- Watercolor with graphite on cream wove paper, laid down on tan wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 54.2 × 43.3 cm (21 3/8 × 17 1/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Look closely at the trunk: you can see the initial graphite drawing beneath the watercolor.
Notice how the cream paper itself creates highlights on the leaves and branches.
Observe the varied greens and browns, built up from multiple thin washes of color.
See the subtle blue and violet tones in the shadows, suggesting depth and coolness.
1 more detail is waiting.
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Paul Cézanne
1839–1906 · FrancePaul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.
Further Works by Cézanne
Gustave Boyer (b. 1840) in a Straw Hat
1870 · The Metropolitan Museum of Art
The Fishermen (Fantastic Scene)
1875 · Metropolitan Museum of Art
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
1888 · The Metropolitan Museum of Art
Rocks at Fontainebleau
1890 · The Metropolitan Museum of Art
Mont Sainte-Victoire
1904 · Detroit Institute of Arts
Auvers, Panoramic View
1874 · Art Institute of Chicago
The Plate of Apples
1877 · Art Institute of Chicago
Montagne Sainte-Victoire (The Arc Valley)
1880 · Art Institute of Chicago
More from Post-Impressionism
More works to explore
Beyond Cézanne and Post-Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Madame Thadée Natanson (Misia Godebska, 1872–1950) at the Theater
Henri de Toulouse-Lautrec · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Poplars, Eragny
Camille Pissarro · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Mahana no atua (Day of the God)
Paul Gauguin · 1894 · Art Institute of Chicago
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art




