“Stop to admire this exquisite silk panel, where a pair of partridges brings a touch of wild elegance to a meticulously woven garden scene. It's a testament to 18th-century French luxury and textile artistry.”
This luxurious silk textile, titled "Les Perdrix" (The Partridges), offers a glimpse into the opulent world of 18th-century French design. A pair of partridges, rendered with remarkable detail, perch on delicate branches laden with berries and leaves. The birds, with their subtly variegated plumage, are central to a naturalistic scene that also features scattered blossoms and a sense of movement in the foliage. The intricate weaving technique, a hallmark of Lyon silk production, allowed for a rich interplay of textures and a lustrous surface that would have caught the light in a grand salon. This piece, designed by Philippe de la Salle, reflects the era's fascination with nature and the desire to bring its beauty indoors through highly refined decorative arts.
- Artist
- Philippe de la Salle
- Date
- 1771
- Medium
- Silk
- Location
- The Metropolitan Museum of Art
- Dimensions
- L. 82 x W. 31 inches (208.3 x 78.7 cm)
- Collection
- European Sculpture and Decorative Arts
- Culture
- French, Lyons
- Credit line
- Rogers Fund, 1950
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate, almost feathery texture of the partridges' bodies.
The tiny, perfectly rendered berries on the branches.
The subtle shifts in color within the green leaves.
The way the silk catches and reflects light, giving depth to the design.
Stand in front of it and listen
The full narration walks you through "Les Perdrix" (The Partridges) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Philippe de la Salle
1723–1804 · FrancePhilippe de la Salle was a master of 18th-century Lyon silk weaving, known for luxurious textiles like his 'Branche de Corail'.
Further Works by de la Salle
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
1765 · The Metropolitan Museum of Art
Chair back
1765 · The Metropolitan Museum of Art
Upholstery passementerie
1750 · The Metropolitan Museum of Art
Fragment of woven silk
1760 · The Metropolitan Museum of Art
Length of upholstery silk
1760 · The Metropolitan Museum of Art
Panel of upholstery silk
1765 · The Metropolitan Museum of Art
Woven silk upholstery for a chair
1765 · The Metropolitan Museum of Art
Catherine II of Russia
1766 · The Metropolitan Museum of Art
More works to explore
Beyond de la Salle: works from the same years.
Same era · 1750s–1780s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1750s–1780s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1750s–1780s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1750s–1780s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1750s–1780s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1750s–1780s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1750s–1780s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1750s–1780s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1750s–1780s
"Venus à sa Toilette"
Favre-Petitpierre et cie · 1770 · The Metropolitan Museum of Art
