“This print offers a vibrant snapshot of travel on Japan's historic Tōkaidō Road, capturing the lively arrival scene at an inn in Kusatsu. It's a window into the daily rhythms and architectural details of Edo-period Japan.”
This print by Utagawa Hiroshige captures a bustling scene at Kusatsu, one of the 53 stations along the Tōkaidō Road, a vital route connecting Edo (modern Tokyo) and Kyoto. Here, we see travelers arriving at a busy inn, its entrance marked by a distinctive sign and lanterns. The composition draws your eye to the figures in motion, some dismounting from palanquins, others carrying luggage, all converging on the welcoming glow of the inn. Hiroshige created this work as part of his later series, "Famous Places of the Fifty-three Stations" (Gojūsan tsugi meisho zue), which revisits the iconic Tōkaidō theme with a fresh perspective, often emphasizing the human activity and local character of each stop. The subtle gradations of color and the careful rendering of architectural details immerse the viewer in the everyday life of a Edo-period post station.
- Artist
- Utagawa Hiroshige
- Date
- 1855
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 14 1/2 in. (36.8 cm); W. 9 3/4 in. (24.8 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

Look for the two palanquins, one arriving, one departing, at the inn's entrance.
Notice the detailed inn sign and the lanterns hanging outside, signaling a welcome.
Spot the various travelers with their distinct attire and luggage.
Observe the subtle color shifts, especially in the sky and building shadows.
Stand in front of it and listen
The full narration walks you through 五十三次名所図会 草津|Kusatsu — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Mère Grégoire
Gustave Courbet · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Beggar with a Duffle Coat (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
