“This print transports you to the iconic Kiyomizu Temple, precariously perched above a valley, offering a glimpse into early 19th-century Japanese travel and architecture through a fresh perspective on landscape.”
A grand wooden temple, Kiyomizu, balances precariously on stilts over a verdant valley in this early print from Hiroshige's Kyoto series. Though the year 1824 is given, Hiroshige would not begin his famed landscape series until around 1829-1830, making this a fascinating early example of his exploration into landscape. We see a bustling scene on the temple's wide veranda, with tiny figures enjoying the panoramic view. The artist captures the sheer scale of the structure by contrasting it with the miniature people and the distant, misty mountains. Notice the vibrant green of the foliage, a testament to the careful application of color in woodblock printing. This print beautifully conveys the awe-inspiring architecture and natural beauty that made Kiyomizu a famous destination, even in the early 19th century.
- Artist
- Utagawa Hiroshige
- Date
- 1824
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 9 1/2 in. (24.1 cm); W. 14 11/16 in. (37.3 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate network of wooden stilts supporting the temple platform.
Tiny figures on the veranda, some looking out, others conversing.
The subtle color gradation (bokashi) in the sky and distant mountains.
The vivid green of the trees, suggesting a lush, perhaps spring or summer, day.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 歌川広重画 「京都名所之内 清水」|Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same era · 1800s–1830s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
George Grote
Thomas Stewardson · 1824 · National Portrait Gallery
