歌川広重画 「京都名所之内 清水」|Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi) by Utagawa Hiroshige

歌川広重画 「京都名所之内 清水」|Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi)

Utagawa Hiroshige · 1824

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“This print transports you to the iconic Kiyomizu Temple, precariously perched above a valley, offering a glimpse into early 19th-century Japanese travel and architecture through a fresh perspective on landscape.”

ABOUT THIS WORK

A grand wooden temple, Kiyomizu, balances precariously on stilts over a verdant valley in this early print from Hiroshige's Kyoto series. Though the year 1824 is given, Hiroshige would not begin his famed landscape series until around 1829-1830, making this a fascinating early example of his exploration into landscape. We see a bustling scene on the temple's wide veranda, with tiny figures enjoying the panoramic view. The artist captures the sheer scale of the structure by contrasting it with the miniature people and the distant, misty mountains. Notice the vibrant green of the foliage, a testament to the careful application of color in woodblock printing. This print beautifully conveys the awe-inspiring architecture and natural beauty that made Kiyomizu a famous destination, even in the early 19th century.

DETAILS
Artist
Utagawa Hiroshige
Date
1824
Medium
Woodblock print; ink and color on paper
Location
The Metropolitan Museum of Art
Dimensions
H. 9 1/2 in. (24.1 cm); W. 14 11/16 in. (37.3 cm)
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

歌川広重画 「京都名所之内 清水」|Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi)
01

The intricate network of wooden stilts supporting the temple platform.

02

Tiny figures on the veranda, some looking out, others conversing.

03

The subtle color gradation (bokashi) in the sky and distant mountains.

04

The vivid green of the trees, suggesting a lush, perhaps spring or summer, day.

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THE ARTIST

Utagawa Hiroshige

1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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