歌川広重画 「京都名所之内 清水」|Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi)

Utagawa Hiroshige, 1824

MEDIUMWoodblock print; ink and color on paper
DIMENSIONSH. 9 1/2 in. (24.1 cm); W. 14 11/16 in. (37.3 cm)
LOCATIONThe Metropolitan Museum of Art

Step into a serene moment at Kiyomizu Temple, captured by Utagawa Hiroshige, a master of Japanese woodblock prints known for his poetic landscapes that would later influence Western art.

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ABOUT THIS WORK

Utagawa Hiroshige, a master of ukiyo-e, presents a captivating view of Kiyomizu Temple in this woodblock print from his series *Famous Views of Kyoto*. Created around 1824, this work predates his most famous landscape series like *The Fifty-three Stations of the Tōkaidō*, but already showcases his developing skill in depicting natural and architectural grandeur. While ukiyo-e often focused on actors and beauties, Hiroshige, influenced by Hokusai's *Thirty-six Views of Mount Fuji*, pioneered the landscape genre with a more poetic and ambient approach. Here, he masterfully uses subtle color and intricate details to capture the serene atmosphere of the temple, a hallmark of his style that would later influence Western artists like Van Gogh. This early work provides a glimpse into the evolving artistry of a figure considered the last great master of the ukiyo-e tradition, before the genre's decline with the Meiji Restoration.

ART MOVEMENTS
Ukiyo-e
LOOK CLOSER

What to Notice

1

The iconic wooden stage of Kiyomizu Temple

2

People strolling on the temple grounds

3

Lush green trees surrounding the structure

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Audio Deep Dive

Step into a serene moment at Kiyomizu Temple, captured by Utagawa Hiroshige, a master of Japanese woodblock prints known for his poetic landscapes that would l…

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THE ARTIST
Utagawa Hiroshige 1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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