Highrise City (Hochhausstadt), Perspective View by Karl Heffner

Highrise City (Hochhausstadt), Perspective View

Karl Heffner · 1924

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“Stop to marvel at this 1924 ink and watercolor vision of a futuristic metropolis. Karl Heffner imagines a city of immense, angular skyscrapers, offering a dramatic glimpse into early 20th-century urban dreams.”

ABOUT THIS WORK

Towering structures pierce a dramatic sky in Karl Heffner's "Highrise City (Hochhausstadt), Perspective View." This ink and watercolor on paper work, created in 1924, imagines a futuristic urban landscape, a vision of modernity on a grand scale. The city isn't just a backdrop; it's the central character, its colossal buildings rendered with a stark, almost brutalist geometry that emphasizes verticality and power. Heffner uses a muted palette, allowing the intricate architectural details and the sheer scale of the vision to dominate. The perspective is dizzying, drawing the viewer's eye upwards and inwards, creating a sense of both awe and perhaps a touch of unease at this monumental human achievement. This piece reflects a fascination with the burgeoning metropolis and the changing face of the built environment in the early 20th century.

DETAILS
Artist
Karl Heffner
Date
1924
Medium
Ink and watercolor on paper
Location
Art Institute of Chicago
Dimensions
96.5 × 148 cm (38 × 58 5/16 in.)
Collection
Architecture and Design
Culture
Berlin
Credit line
Gift of George E. Danforth
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What to Notice

Five details hide in plain sight. Here’s where to look.

Highrise City (Hochhausstadt), Perspective View
01

The sharp, angular lines defining the colossal buildings.

02

The way the watercolor creates a hazy, atmospheric sky.

03

The tiny, almost invisible figures at the base of the structures.

04

The dramatic contrast between light and shadow on the building facades.

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THE ARTIST

Karl Heffner

1849–1925 · Germany

Karl Heffner was a German landscape painter known for atmospheric, softly lit river and twilight scenes in the tradition of Corot and the Barbizon school.

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