“Step into a bustling scene from old Edo at this horse training ground. Hiroshige's print captures the raw energy and movement of horses and riders, offering a unique perspective on daily life in 19th-century Japan.”
In this dynamic woodblock print, a flurry of activity unfolds at Hatsune no Baba, a horse training ground in Edo. Hiroshige captures a vibrant scene: riders on horseback, some trotting, others galloping, create a sense of movement across the composition. Notice the dust kicked up by the horses' hooves, subtly rendered to suggest speed and energy. The perspective is unusual, with a low vantage point that places the viewer almost among the action, looking up towards the distant buildings and the sky. This print is one in a series, "One Hundred Famous Views of Edo," where Hiroshige often experimented with dramatic foreground elements and novel viewpoints to bring depth and immediacy to his landscapes. The detailed depiction of everyday life, combined with the carefully observed natural elements, offers a window into the bustling urban environment of mid-19th century Japan.
- Artist
- Utagawa Hiroshige
- Date
- 1847
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 13 1/2 in. (34.3 cm); W. 8 13/16 in. (22.4 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The varied gaits of the horses, from leisurely trot to full gallop.
The subtle, almost transparent dust cloud rising from the horses' hooves.
The distant, low-lying buildings with their distinct Edo-period architecture.
The small figures observing the training, adding to the sense of a public spectacle.
Stand in front of it and listen
The full narration walks you through 名所江戸百景 馬喰町初音の馬場|Hatsune no Baba; Bakurocho — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1830s–1860s
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Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
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Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
