名所江戸百景 馬喰町初音の馬場|Hatsune no Baba; Bakurocho

Utagawa Hiroshige, 1847

MEDIUMWoodblock print; ink and color on paper
DIMENSIONSH. 13 1/2 in. (34.3 cm); W. 8 13/16 in. (22.4 cm)
LOCATIONThe Metropolitan Museum of Art

Step into Edo-period Japan with Hiroshige's dynamic woodblock print, showcasing a lively horse-riding ground and the bustling urban landscape, a testament to his mastery of landscape art.

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ABOUT THIS WORK

This vibrant woodblock print, "Hatsune no Baba; Bakurocho" (名所江戸百景 馬喰町初音の馬場), by Utagawa Hiroshige, is a captivating glimpse into Edo-period Japan. Created around 1847, it belongs to his renowned series, "One Hundred Famous Views of Edo" (名所江戸百景). Hiroshige, considered the last great master of the ukiyo-e tradition, is celebrated for his innovative landscape designs that often incorporated subtle color gradations (bokashi) and unique compositional approaches. Unlike the typical ukiyo-e focus on actors or beauties, Hiroshige, much like his contemporary Hokusai, elevated landscapes to a primary subject, infusing them with a poetic and ambient quality. This particular print, with its dynamic portrayal of a horse-riding ground, showcases his skillful use of perspective and his ability to capture the energy of urban life. It's a testament to his influence on Western art, as artists like Van Gogh meticulously studied his compositions, appreciating his mastery of color and form.

ART MOVEMENTS
Ukiyo-e
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What to Notice

1

The spirited horses and their riders in action

2

The detailed architecture of the surrounding buildings

3

The subtle gradations of color in the sky

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Audio Deep Dive

Step into Edo-period Japan with Hiroshige's dynamic woodblock print, showcasing a lively horse-riding ground and the bustling urban landscape, a testament to h…

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THE ARTIST
Utagawa Hiroshige 1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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